Telefon Tel Aviv - Barcode Scans the Canopy
posted by on September 16 at 15:58 PM
Decibel Fest. Hook in. Get down and upload. The mechanical resonance has rendered an image.
Telefon Tel Aviv played Neumo’s last night. My mind reels still. Joshua Eustis and Charlie Cooper evolved their digital schemes. Lap tops directing Ableton like sequencing, delays, filters, Nord keys, and flange to multiple hanging screens showing visual accompaniments and morphing. Stereo panning sprayed the 16th beat glitchings to the sights all over the room.
It was like a gigantic bar code scanner scanning across a rain forest canopy. Howler monkeys swung in the strobes. Neumo’s became microscopic with archetypal ears inside fiber optic intestines. Joshua and Charlie were conjoined and their sound was improbably organic - a sheen of digital blinks and pointed pounds of bass that induced and generated subconscious activities of thought. A whirring.

I spill further, interpretal.

The audio of Telefon Tel Aviv
Is such that
The Sound Is a Scrawl
You can see that
The scapes and dripped sides
Of wet brick city walls
Let on
To many lonely things
The seventeenth story
Ledges
Up cement stairs
Filed down
A perch emerges
Between girders
Halogen clouds
Brush and shove
Through the weathered city
Below
You, sit and survey
There are others that long
Tonight you see
With infrared vision
See through the distant
Walls and buildings and roofs
You see heat
Scores of human forms
Reddish orange
Animals, ovens
Furnaces and engines
Higher heat areas
Glow white
Hearts a yellow
The unpredicted city revealed
Scurrying itself to sleep
Electromagnetically
The infrared shakedown
Of the shadow side
With its sounds
Radars your ears
Noises of the urban hole
And the forms
Putting themselves down
For the night
Mothering tones of 10,000
Bed time stories rise
Simultaneously
The chorus calms
Connected dens
Doors are locked
Discs spun
A palate knife scrapes
Cathode nattering
Sirens lick tires to asphalt
Heated red blurs going and coming
Clicking keys, languages
Heart rate monitors
Grinding teeth
Trains steel diesel insomnia
A seamstress can't sleep
So she sews
Her machine and infrared hands
Move with the weight of an engine
The train on tracks matches her stitches
Stitch for stitch
An immense hushing
Pleasant because it's far off
Somewhere
Channels are changed
Someone injects
Aim is taken
Bullets are on their way
A seismograph registers movement
Miles underground
Tectonic teeth grind
Root mind
Of the metropolis
Millions of people
Hit "˜enter'
And digital wolves howl hollow
In manmade hills
Sleep for now
Above the fray
Curl on this perch
Under infrared cross ties
Bullets won't bother here
They're muzzled
To fade
Before they hit
And Telefon Tel Aviv sways to it all.
Trent - out.

Whoa. Yeah.
This is officially my favorite Line Out post. And your visceral verbiage is the perfect end to the night--I'm still up from Decibel.
Here's to synesthesia and the proliferation of cross-hatched art forms. Music and words to describe it. I don't care what the news touts--these are fortunate times.
I agree, Trent has hit it. He is founded in words and he is taken by them. A sound voice. Great great post. Barcode on the canopy is right. Fuck yes.
Long live Decibel.
And in the oddest of places, I have found a new clothing designer. Hidden Yoshimi Designs.
I'm not such a fan of TTA's Map of What is Effortless , but Fahrenheit Fair Enough is enought to carry me for now. And that set at Neumo's was increcible. I am very glad I caught it. I got infrared.
Trent, your words are all about it all. They fit.
I thought to myself, these need to be lyrics in a decibal-ish song, and then I realized Trent's words are already the song and the beat you perform as you read it.
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