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<title>Line Out - Comments on Where&apos;s The Beat?</title>
<link>http://lineout.thestranger.com/2008/05/wheres_the_beat</link>
<description> What made Portishead a prominent band in the triphop period (between Massive Attack&apos;s Blue Lines and Alpha’s Come From Heaven) was its successful blending of the new, (modern hiphop) with the mature (jazz cinema; the post-rock of 4AD). Each...</description>
<copyright>Copyright 2008</copyright>
<pubDate>Fri, 02 May 2008 13:48:16 -0800</pubDate>
<lastBuildDate>Fri, 02 May 2008 17:35:09 -0800</lastBuildDate>
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<docs>http://blogs.law.harvard.edu/tech/rss</docs> 

<item>
<title>Comment by cosby</title>
<description><![CDATA[<p>i agree, the rock / krautrock influenced percussion on 'third' is a bore.  i like the album, but my one MAJOR complaint is the absence of dirty, slo-mo drum machine rhythm.  i'm surprised that this is the first time i've seen anyone besides myself make note of this.</p>]]></description>
<author>cosby</author>
<link>http://lineout.thestranger.com/2008/05/wheres_the_beat#c1012574</link>
<guid>http://lineout.thestranger.com/2008/05/wheres_the_beat#c1012574</guid>
<category>Album</category>
<pubDate>Fri, 02 May 2008 15:00:55 -0800</pubDate>
</item>
<item>
<title>Comment by jm</title>
<description><![CDATA[<p>I have to disagree with you guys.  I think the new album is far and away their best. It's weirder, darker, and intense than anything they've done before.  True the hip hop beats are gone, but the rhythmic hooks are out in spades.  I think it's telling that the best song on the album is the percussionless "Deep Water"; a minute and a half of zombified ragtime bliss.    <br />
Charles is right though, Gibbons is positively on fire on this set.  She sounds possessed through half the album.  I read that this was the first album where she came in with music already written, for what it's worth.<br />
</p>]]></description>
<author>jm</author>
<link>http://lineout.thestranger.com/2008/05/wheres_the_beat#c1012657</link>
<guid>http://lineout.thestranger.com/2008/05/wheres_the_beat#c1012657</guid>
<category>Album</category>
<pubDate>Fri, 02 May 2008 15:45:14 -0800</pubDate>
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<item>
<title>Comment by apoptosis</title>
<description><![CDATA[<p>agreed.</p>]]></description>
<author>apoptosis</author>
<link>http://lineout.thestranger.com/2008/05/wheres_the_beat#c1012713</link>
<guid>http://lineout.thestranger.com/2008/05/wheres_the_beat#c1012713</guid>
<category>Album</category>
<pubDate>Fri, 02 May 2008 16:14:13 -0800</pubDate>
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<title>Comment by Biggie J</title>
<description><![CDATA[<p>Not to change the subject but The Good The Bad and the Queen has Tony Allen one of the best drummers of all time yet when ever I hear  that record I say to myself where is the rhythm? </p>]]></description>
<author>Biggie J</author>
<link>http://lineout.thestranger.com/2008/05/wheres_the_beat#c1012748</link>
<guid>http://lineout.thestranger.com/2008/05/wheres_the_beat#c1012748</guid>
<category>Album</category>
<pubDate>Fri, 02 May 2008 16:38:37 -0800</pubDate>
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<item>
<title>Comment by captain undrepants</title>
<description><![CDATA[<p>^this comment is right on, but that's another story.</p>

<p>i hear what you're saying charles, but you've gotta be the first person i've come across who  seems to give off an air that third is a lesser record b/c there are no hip hop drum patterns.  i dunno if i prefer third to dummy yet either, but it's definitely on par.</p>]]></description>
<author>captain undrepants</author>
<link>http://lineout.thestranger.com/2008/05/wheres_the_beat#c1012862</link>
<guid>http://lineout.thestranger.com/2008/05/wheres_the_beat#c1012862</guid>
<category>Album</category>
<pubDate>Fri, 02 May 2008 17:35:09 -0800</pubDate>
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