
La Roux
"Quicksand" by Brixton's new hope La Roux, which you can find on the new Kitsuné indie label compilation, sounds a lot like Prince's "When Doves Cry".
[Video]

Sugababes / Girls Aloud
"Someone In My Bed," meanwhile, by British girl-group Sugababes, a b-side on 2003's "Too Lost In You," sounds a lot like 2006's "Something Kinda Ooooh" by forever/default rivals Girls Aloud. But then "Girls," and particularly "Hanging On A Star," by Sugababes on this year's Catfight & Spotlights sounds like something Girls Aloud has done for the last three years, while "The Promise" by Girls Aloud on this year's Out Of Control sounds like something Sugababes would've done if they hadn't lose their nerve.
[Video]

Hilary Duff
"Reach Out" by Hilary Duff doesn't sound a lot like "Personal Jesus" by Depeche Mode, it is "Personal Jesus" by Depeche Mode except with karaoke vocals on top. If this isn't the first time a popstar has sampled the song — hello, and hello — it is the first time someone's essentially done nothing with it other than change the line "Reach out and touch faith" to "Reach out and touch me".
[Video]

Beyoncé
"Crazy In Love"? Unstoppable. "Ring The Alarm"? Epileptic dance, dance, dance. New song "Radio"? Insane. But Beyoncé makes it real hard to like her anymore.
[Video]

Britney Spears
Britney Spears has a song called "If You Seek Amy" on her new album Circus. It's written by Sweden's Max Martin, who also wrote "...Baby One More Time". In it, as it can't be pointed out enough, Britney sings the title in a pop subversion sound-it-out way, "Love me, hate me / Say what you want about me / But all the boys and all the girls are ready to F-U-C-K me."
[Video]
Lily Allen
It's possible that Lily Allen may have just made the most radiant, creatively aware, and backlash-destroying follow-up since M.I.A.'s Kala.

So reports the Philadelphia Weekly's blog, the Clog (suspicious name, that):
My morning routine usually starts off the same way every day. Wake up, go to the gym, grab a coffee and go to work.But when you get patted down by the Secret Service at the gym first thing in the morning, you know something's up. I hopped on my usual treadmill and put on CNN. The news ticker scrolled frantically across the screen, as footage of the President-elect was shown over today's topic — "Is Obama Black or Biracial?"
It wouldn't be long before I could ask the man myself, as he walked majestically across the gym floor in his track pants and sweat shirt. I did a double take, and soon after that, looked around the gym to see if anyone else knew he was here. Nobody seemed to notice.
But he hopped on the machine next to me and broke a mean sweat while reading a copy of USA Today and listening to his Zune.
His ZUNE!!!
Is that change we can believe in?
(ht: Matt Hickey)
...in a very long time is this review of Chinese Democracy:

For one thing, Chinese Democracy is (pretty much) the last Old Media album we'll ever contemplate in this context—it's the last album that will be marketed as a collection of autonomous-but-connected songs, the last album that will be absorbed as a static manifestation of who the band supposedly is, and the last album that will matter more as a physical object than as an Internet sound file...The weirdest (yet more predictable) aspect of Chinese Democracy is the way 60 percent of the lyrics seem to actively comment on the process of making the album itself.
Two of my absolute favorite local bands have brand new videos. Watch them here. Watch them NOW.
Mary by The Dutchess & The Duke.
From She's the Dutchess, He's the Duke on Sub Pop imprint Hardly Art. Video by Carlos Lopez
Let's Start Some Shit by Cancer Rising, featuring Bruce Illest.
Track Produced by DJ Bles One. Off the Cancer Rising self titled album. Video by Nick Dale
Ms. Kimya Dawson is playing Neumo's on Monday, the 8th with L'orchidee D'Hawai and Akida Junglefoot Dawson. Want to go? E-mail your name to lineout@thestranger.com with KIMYA DAWSON in the subject line. The show is all ages, so everyone is free to enter.
Winners will be notified Monday; you can buy tickets to the show, should you not feel so lucky, here.
Good luck!
I ask this question because a female friend recently responded to my posting the link to a video of Beefheart’s “Bat Chain Puller” [see below] in my gmail contact thingy with an instant message of “ugh, beefheart.”
Made me realize that I know very few women who like Don Van Vliet and his group of nerdily magical musicians. Made me think: What is it about Beefheart’s music that turns off the fairer gender? Is his art strictly the province of males, many of whom worship the man with a religious fervor? Is Beefheart’s music the sonic equivalent of The Three Stooges TV show? (Any women want to rep for that?)
Much of Beefheart’s output is like Howlin’ Wolf-style blues mutated into a proto-No Wave knottiness. There’s a uniquely riveting ugliness to much of the Captain’s work (see especially Trout Mask Replica, Lick My Decals Off, Baby, Shiny Beast, and Doc at the Radar Station) that is practically the antithesis of an aural aphrodisiac. But he also wrote some genuinely beautiful songs (see much of Clear Spot, Safe as Milk, and “Kandy Korn” off Mirror Man) and penned some fairly traditional blues numbers that express a fondness for womenfolk, albeit in Van Vliet’s decidedly surreal, unconventionally romantic language. For example, “I’m Gonna Booglarize You Baby” [see video below] is downright sexy, if a bit threatening, but, hell, that implied threat is partially what made the performances of bluesmen like Howlin’ Wolf, John Lee Hooker, and Muddy Waters so thrilling.
So, readers with XX chromosomes: Why don’t you like Captain Beefheart and the Magic Band? Or if you do, tell us why they push your buttons. Guys: Do you know any ladies into Beefheart? Or are his records banned from the turntable/CD deck/MP3 player when you’re in mixed company?
“Bat Chain Puller”
“I’m Gonna Booglarize You Baby”
Shit parade: Grammy nominees announced
Don’t call it a comeback: Grandmaster Flash returns
Stealing Kim’s thunder: John Paul Jones collaborates with Sonic Youth
Good news from Norway: Turbonegro’s guitarist recovers from cancer
More songs about Tacoma, please: New Neko Case album in March
Bad news from Norway: Black metal band tries too hard
and on a side note, the new Dillinger Four album is pretty decent...
This is, quite possibly, the very best Christmas song of all time. No matter what Charles Mudede says.
Strangercrombie, The Stranger's annual charity auction, is under way and look at all the great stuff you can bid on (all proceeds go to Treehouse, visit their website here):
Throw Me the Statue Play a Private Party!
Truckasauras Play a Private Party!
Suicide Squeeze Records Package featuring framed original artwork from Minus the Bear bassist Cory Murchy!
PWRFL Power Writes a Song Just for You!
Calvin Johnson Makes You a Mixtape!
And there's so much more.
See all the auctions here—and then empty your big fat wallets. It's for the kids, after all.
Strangercrombie. Once a year, we do something goodâ„¢.
Both are double albums. Both have one red disc and one blue disc. Both featured fairly epic, big-budget "event" videos (insert joke re: MTV used to play videos, lulz). Both are the last arguably great works of their respective egomaniacal, perfectionist frontmen before they each went different streaks of self-indulgently insane. In different stages of my adolescence, I repped hard for both of these opuses. I think I'd only rep for Melon Collie these days (although I will never get tired of watching Axl swim with the dolphins...)
The Thermals
The Thermals will release their fourth album, Now We Can See, on April 7 via Kill Rock Stars, and if you have ears, a heart, and a head, you should be eagerly counting the days until then. If past releases are any indication, the Thermals' new one should be another too-short (they're always too short) burst of concisely cutting lyrics set to hard-charging, hook-heavy pop-punk given to moments of transcendent uproar. The band should debut a shitload of new material at this show, despite their guitarist/singer's recently busted finger. With the Shaky Hands and Champagne Champagne. (Chop Suey, 1325 E Madison St, 324-8000. 8 pm, $14, all ages.) Eric Grandy
The English Beat
(Showbox at the Market) Thirty years after their formation in Birmingham, the (English) Beat are back on the road. Since there hasn't been a note of new Beat music since 1982—which brought the release of the gorgeous, underrated Special Beat Service—this can only mean tonight's show will be exactly what you hope it will: a greatest-hits victory lap by the tightest, most musical band of its era. As 2 Tone kids, the Beat lit a fire under the world's ass with their itchy rhythms and openhearted melodies, and I imagine the professional-musician adults of today's Beat are as hungry to re-create that glorious racket as you are to hear it. DAVID SCHMADER
Fall Out Boy
(Paramount) I could talk a lot of shit about Fall Out Boy—and I will here, briefly, because their admittedly catchy Top 40 hits are still Pro-Tooled, formulaic piles of steaming poop. But your little sister could love a worse band. Sure, the dudes dish out unbearable rock, but they've done some respectable things, like recently donating $50,000 to the No on Prop 8 campaign. And fame-whore Pete Wentz may have named his kid Bronx Mowgli after a character in The Jungle Book, but he also spent time speaking out against the proposition and urged his fans to educate themselves on the cause and vote. So thanks, dudes. I may not like your music, but I'd still buy you a beer. MEGAN SELING
Throw Me the Statue, No-Fi Soul Rebellion, Truckasauras, DJ Fucking in the Streets, Sam Rousso Soundsystem
(Neumos) It's officially the holiday season, and with this year being totally fucked up because of the economy, treat yourself to the best gift of all—a stress-free night of getting drunk, dancing, and maybe making out with a nice-looking stranger in a dark corner under some mistletoe! Tonight's show—with Throw Me the Statue's playful, flirty pop, and Truckasauras's sexy, crunchy electro-rock—is a fantastic way to kick off the season of merriment, and it's also a CD release party for Throw Me the Statue's new EP Purple Face. And since it's early in the month, you'll still have some time to recover (and find a new date, should that stranger in the corner turn out to be a dud) before New Year's. MEGAN SELING
And more! There's always more!