Wednesday, December 17, 2008

And Now for a Music-Business Update

Posted by Christopher Frizzelle on Wed, Dec 17, 2008 at 11:20 PM

U.S. album sales were down 21.7 percent during the first week of December compared with the same period last year, accelerating from the 17.4 percent decline recorded during the last two weeks of November, according to Nielsen SoundScan....

The continued slide in CD sales remains the industry's biggest challenge, even though hit albums are selling better this year than last. Sales of the top 10 albums on the Billboard 200 for the three weeks ended December 7 totaled 5.8 million units, up 2.9 percent from 5.7 million during the same period of 2007. But overall CD sales are down 24.7 percent during that period to 28.2 million units, a faster pace of decline than the 19.3 percent drop recorded year to date....

In general, smaller chains and independent retailers are performing better than large chains and mass merchants. For the first three weeks of the holiday selling season, indie stores have seen album sales decline 8.6 percent, while chains suffered a 19 percent drop and mass merchants saw sales plunge 29.2 percent.

Full story (with requisite annoying lead sentence: "NEW YORK, Billboard - 'Blue Christmas' may turn out to be the music business's theme song for this holiday season...") here.

Because Line Out Readers Demanded It...

Posted by Eric Grandy on Wed, Dec 17, 2008 at 4:20 PM

copsposter.jpg

This week's music section features even more Britney Spears! Christopher (and Steven) Frizzelle, ladies and gentlemen:

Britney Spears
Circus
(Jive)

Reviewing the new Britney Spears album is a little tricky for me because my little brother recently moved to Seattle, and loves Britney Spears, and is going to be reading this, and I've been trying not to be such an asshole to the guy. The other night we were walking somewhere to play pool and Circus had just come out, and he was listening to it with outside-noise-reducing headphones I once traded him for a pair of shorts when I was in California and really needed shorts, and as he pulled off the headphones he said, "Here, listen to this, it's SO GOOD," and clamped the headphones on my head. The first sound: one of those big electronic pop-song thuds (did Michael Jackson invent the big electronic pop-song thud?), followed by echoing fuzz and scattered notes, and then Britney's voice singing, ungrammatically, over a loud beat: "There's only two kinds of people in the word: the ones that entertain and the ones that observe." Which right away made me think of Robert Benchley—do I win the prize for being the first person in history to think of Robert Benchley while listening to Britney Spears?—saying, "There are two kinds of people in the world: those who believe there are two kinds of people in the world and those who don't."

You can read all 750 words devoted to Britney Spears' new album (and comment on them) here.

"Fifty Ways to Eat Your Oysters"

Posted by Paul Constant on Wed, Dec 17, 2008 at 4:05 PM

I was doing some research online today and I discovered this website, called Food Safety Music:

Welcome to the Food Safety Music Website that features Dr. Carl Winter's hilarious and educational food safety music parodies.

With a few clicks you can be on your way learning (and hearing) about food safety through song and video. It's all here for you - 27 downloadable songs, Powerpoint slide presentations with accompanying lyrics and clip-art, lyric files, Flash animations, live concert footage, scheduled performances, and media accounts.

Songs address a wide variety of food safety topics and have been developed for diverse audiences including children, health professionals, food service workers, food regulators, and teachers. Styles range from pop, country, rock, rap, Latin, and disco and there's even one song in Spanish.

I can't stop listening to music from this site. Here are some lyrics to We Are the Microbes:

We'll mess up your kidneys
GI damage we'll do
We go by clostridium, E. coli, salmonella
Just to mention a few

We like sprouts and lettuce
Salami and stew
You'll find us on chicken, soft cheeses, fruit juices
and hamburgers too

We are the microbes, my friend
And we'll keep dividing
Till the end

And "Food Irradiation", to the tune of "Do the Locomotion":

drcarl.jpg

The FDA has taken a brand new stance now
Now that they've approved irradiation
I know you'll get to like it if you give it a chance now
Come on baby, food irradiation
It's a simple process, you can do it with ease
It's sure to put a damper on foodborne disease
So come on, come on, do irradiation with me

It's got a scary name now
But don't worry
Your food, it won't glow
And if you're really in the know

Do it on your chicken and your fresh ground beef now
Come on baby, food irradiation
Wiping out bacteria should give some relief now
Come on baby, food irradiation
There's never been a process that's so easy to try
A little bit of cobalt and the microbes die
Come on, come on, do irradiation with me

And "Beware La Vaca Loca," about Mad Cow disease, is notable because it rhymes the titular food-borne illness with "Oprah." Spend the afternoon with Dr. Carl. You'll be glad you did!

Cumulus Fest Tickets Now Available

Posted by Dave Segal on Wed, Dec 17, 2008 at 12:11 PM

Passes are now available for the Seattle post-rock festival, Cumulus, happening Jan. 23-25. Go here.

Enjoy this video of “Moonbeam Death Ray” by Bronze Fawn, who are playing Cumulus Jan. 25 at Vera Project.

#17: "Sometimes You Have to Work on Christmas (Sometimes)" - Harvey Danger

Posted by Megan Seling on Wed, Dec 17, 2008 at 11:00 AM


Harvey Danger - "Sometimes You Have to Work on Christmas (Sometimes)"

Billy Corgan Knows How You Listen to Music

Posted by Megan Seling on Wed, Dec 17, 2008 at 10:16 AM

billycorganspin.jpgWhich is why he says the Smashing Pumpkins will no longer put effort into releasing albums. Says Mr. Corgan (via Kerrang):

People don't even listen to it all. They put it on their iPod, they drag over the two singles, and skip over the rest. The listening patterns have changed. So why are we killing ourselves to do albums? Our primary function now is to be a singles band. We'll still be creative, but in a different form.

I suppose there's some truth in that. But maybe people would listen to the whole album if you made a whole album worth listening to? For instance, I still listen to all of Siamese Dream. As for Zeitgeist? Not even the singles.

Nectar's Colin Johnson Moving to LA

Posted by Dave Segal on Wed, Dec 17, 2008 at 10:16 AM

Nectar Lounge head talent buyer Colin Johnson is moving to Los Angeles later this month in order to better focus on raising his infant daughter with his wife, while also looking to further his music-biz career in the industry's West Coast capital. Johnson, who’s already filled several dates in January and February for the Fremont club, will continue to work with Nectar until the venue can find his replacement. Nectar's local talent buyer, Aarika Walker, will help with the transition.

After being let go from Chop Suey in 2007, Johnson came to Nectar and began to bring high-quality electronic, hiphop, world-music, and avant-rock acts to the club such as the Dead C., Ya Ho Wha 13, the Herbaliser, El Guincho, and Daedelus—the type of artists rarely seen in Fremont. Some interesting bookings on the horizon include Venetian Snares/Otto Von Schirach, Souls of Mischief, Orgone, Mad Professor, Buraka Som Sistema, and Caro/the Sight Below.

Johnson set a high standard during his year-and-a-half tenure at Nectar; we hope the club—which is interviewing candidates for the position—can locate a talent buyer who can build upon his excellent work there.

In an email received this morning, Johnson wrote:

I'm really proud of all that has been accomplished at Nectar this past year and a half and the impact we've had on the ever-changing music community of Seattle. Many have expressed appreciation (and even a bit of shock!) with some of the quality shows that have been hosted here at our little club in Fremont and I wish Nectar the very best in its future. I'm going to miss Seattle, my home for the past six years, and all the friends we've made, both in and outside of the music business. My list of thank you's would be quite extensive, but in quick summary I'd love to show appreciation to everyone who I've ever learned from, anyone I've ever worked with, and anyone who's ever come to a show that I've been fortunate enough to put on in this great city. I will miss you all!

More info about Johnson and Nectar after the cut.

Continue reading »

Tonight in Music: Linda and Ron's Dad

Posted by Megan Seling on Wed, Dec 17, 2008 at 9:30 AM

lindarons.jpg

Linda and Ron's Dad, Pontius Pilots, Flexions, Studley Buffkins, Nominal I
(Chop Suey) Tonight's showcase of Fourthcity talent and friends is headlined by Linda and Ron's Dad (the kind of play-on-words band-name idea that just reeks of bong smoke), which began as a series of sampledelic cassettes produced by Tyler Swan of Foscil/Truckasauras and Derek Bourcier of Ghostbait. Each cassette plundered from a single iconic source, such as David Bowie or the Mothers of Invention, reassembling familiar snatches of sound into popping, hissing, and warped hiphop beats. Their hazy instrumentals are now abetted by the outré MC stylings of Specs One, which should make for a fine live show. Rounding out the stacked bill are the jazzy improvisations of Pontius Pilots (Victor Noriega on piano and eR DoN on the MPC sampler), the dank dub punk of Flexions (Devon Welch of Past Lives and Robin Stein), the Game Boy hackery of Studley Buffkins (Ryan Trudell of Foscil/Truckasauras), and the laid-back beatwork of Nominal I. ERIC GRANDY

Hear Linda and Ron's Dad via their MySpace. And find all the rest of tonight's shows here.

"And It Feels So Unnatural To Sing Your Own Name"

Posted by Eric Grandy on Wed, Dec 17, 2008 at 9:06 AM

That long-rumored Peter Gabriel cover of Vampire Weekend's "Cape Cod Kwassa Kwassa" has surfaced today, with no less than Hot Chip as the backing band. You can hear the song here. (Via pitchfork)

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