Goodbye, 2008.
Lists! Lists are everywhere!
And you thought you were done with them.
But lists are a bad habit. They appeal to the worst in us. In music fans, who look for ways to validate their tastes, either by feeling good or angry about published picks. And in music writers, The Stranger's not included, who feed off, for the most part, ugly instincts for dishonest, one-of-each-genre variety and an attempt to find quick credibility with their readers and peers.
Lists have also become ineffective for the way they seem to increasingly need someone to apologize for the entries' faults, with writers often explicitly trying to brush away the problems like they didn't matter. If "Best Albums" lists, for example, were accurate, they'd be called "Most Interesting Albums" — which isn't a bad thing — and a look back at previous years' choices generally leave you with a sense of embarrassment or of being cheated.
Part of this clearly comes from the itch to look at the history of music through a series of albums, or the invention of the CD itself, when the album idea lost its A/B-side dynamic and musicians began to indulge themselves with 74-minute quantity-over-quality, and mp3s made it even worse. But that's a blah-blah-blah story.
This, then, is what we remember of 2008.
Which might look like a list.
Wahey!
Pop : Out-Of-Breath
After last year's onslaught of pop music, nothing in the last twelve months was as good as Kylie's X — potentially the album of her career — or Siobhán Donaghy's lush and left-field and beautifully astonishing Ghosts. While there was a classic girl-pop album between 2008's efforts by Sugababes, Girls Aloud, Britney Spears, and The Saturdays, none of them could gel quite enough to give a thrill.
And where's the Robyn follow-up?
Dubstep : Flatlines
Bigger than ever, dubstep lost its touch with the sour-faces of Distance, Silkie, Martyn, and Likhan. But it also went hardcore (Caspa's "Where's My Money" remix), ridiculous (Joker's "Snake Eater"), and universal (Benga & Coki's "Night"). The bass of RSD's "Over It" knocked molecules out of the air, while Chase & Status's "Eastern Jam" brought life back to the idea of incorporating sounds of the developing world. There was The Bug's London Zoo as well, an excellent and brutish, full-length descent into unexpected ragga-fried dubstep. At a Skream set in London, and later in Seattle, we leapt around like a monkey with mobs of people as a load of worries for the genre melted away, grateful that the man from Croydon remains the scene's leading light.
Indie : Going A Bit Bald
Indie music continues its 21st century descent into bullshit cool and self-parody.
Don't think of The Ting Tings' "That's Not My Name" and the way its many-songs-in-one exponentially improves with each second, layering itself into a manic ultra-climax. Don't think of Mystery Jets' "Two Doors Down" for being the least obnoxious and most addictive track '80s kitsch has given us to date. Also don't think of Kaiser Chiefs' "Like It Too Much" for being a glowing anthem of chemicals and British pop, Crystal Castles' "Alice Practice" for its traumatic use in a heartbreaking scene in the television series "Skins", Primal Scream for inventing sunshine Krautrock, and Hadouken! for recovering the dialogue between white guitar music and black dance-culture.
Think, however, of earnest, over-orchestrated, vaguely melodic indie music that continues to dominate the genre — Coldplay, The Editors, Arcade Fire, and everyone they've inspired, from M83 to The Helio Sequence — which wants to be epic and important, but ends up sounding like afternoon specials with Bryan Adams running in an allergy-medication field of the human spirit.
Green Gartside of Scritti Politti writes:
What I hear in is an agglomeration of mannerisms, clichés, and devices. It's monotonous in its textures and in the old-fashioned, nasty, clunky '80s rhythms and eighth-note basslines. It isn't, as people are suggesting, richly rewarding and inventive. The melodies stick too closely to the chord changes. [The] voice uses certain stylistic devices — it goes wobbly and shouty, then whispery — and I guess people like wobbly and shouty going to whispery, they think it signifies real feeling. It's rather flat and unlovely.
Indie music has been in creative panic for a while, a mid-life crisis, and engaging in generic post-punk revivals (U.K.) and add-instruments-until-someone-notices (U.S.) will unfortunately never be anything but a red sports-car.
Ancestors, Night Horse
(Sunset) Ancestors' debut album, Neptune with Fire, boasts an awesome cover by Arik Roper (who should be familiar to Arthur magazine readers) of some mythical vista that incorporates cloud, ocean, mountain, and medieval warrior. Those visuals set up massive expectations, most of which Ancestors meet. Their heavy gothadelia roils with an elemental brio, ebbing and flowing with purpose and an instrumental prowess that's more masterly than masturbatory. If you don't get a contact high just listening to this L.A. quintet, ur doin it rong. Tee Pee labelmates Night Horse (whose lineup includes some Ancestors) come atcha with a more pugilistic attack. Their new disc, The Dark Won't Hide You, rocks with more earthbound conventionality. Ancestors are forest and ether; Night Horse are dive-bar/motorcyclist hangout. DAVE SEGAL
Also worth noting: Grand Hallway headline Neumos tonight.
Grand Hallway - "Seward Park"
Grand Hallway - "Pearrygin"
Wouldn't it be great it Grand Hallway singer Tomo Nakayama (ex-Asahi) could just sing us all to sleep every night? I bet I would sleep really, really well and have pretty, bittersweet dreams.
Tonight at Rite Aid, Fleetwood Mac was playing through the sound system, and the lady in the next aisle over was heard saying, "Players only love you when they're playing. It's so true."

Eleven gay bars in Seattle received letters today addressed to the "Owner/Manager" from someone claiming to be in the possession of ricin, a deadly poison. "Your establishment has been targeted," the letter begins. "I have in my possession approximately 67 grams of ricin with which I will indiscriminately target at least five of your clients."
"I felt sick when I read it," said Carla, the owner/manager of Re-bar. "It's so vile. It's just hatred. It made me worry for all the other bars, and for my bartenders, and our clientele."
According to the CDC's website, someone who has ingested "a significant amount" will develop vomiting and diarrhea within the first 6-12 hours; other symptoms of ricin poisoning include hallucinations, seizures, and blood in the urine. There is no antidote for ricin but ricin exposure is not invariably fatal.
"I just had the police come pick [the letter] up," said Keith Christensen, the manager of The Eagle, when reached by phone. Christensen had already heard about the letter from other bar owners and managers, and so he didn't open it. "It's probably nothing," Christensen added, "but the economy is really screwing all the bars right now, and the last thing we need is something ramping up the not-go-out mode people seem to be in right now. It's really freaky that someone would do something like this at a time like this."
Christensen says he's posted signs at the Eagle advising patrons not to leave their drinks unattended.
"The police have already come and gone," said Roland, the manager at Madison Pub. "They collected the letter and that's about it. I don't think it's anything to worry about it." Roland admitted to being unnerved by the letter at first.
"But after the initial 'what?', it's like whatever."
A letter also arrived in the Stranger's offices, addressed to the attention of "Obituaries." The letter's author said the paper should "be prepared to announce the deaths of approximately 55 individuals all of whom were patrons of the following establishments on a Saturday in January." The listed bars are: The Elite, Neighbours, Wild Rose, The Cuff, Purr, The Eagle, R Place, Re-bar, CC's, Madison Pub, and the Crescent. "I could take this moment to launch into a diatribe about my indignation towards the gay community," the letter concludes, "however, I think the deaths will speak for themselves."
Alison, Luying, and Tippett, local promoters and DJs who do nights at various bars around town, came up with the idea of organizing a pub crawl for this Friday night to show support for the bars that were threatened.
Carla at Re-bar added that, as distressing as the letter was, she was pleased with the response from the community.
"Everyone is calling each other, everyone's got each other's backs."
Cross-posted from Slog:
Eleven gay bars in Seattle received letters today addressed to the "Owner/Manager" from someone claiming to be in the possession of ricin, a deadly poison. "Your establishment has been targeted," the letter begins. "I have in my possession approximately 67 grams of ricin with which I will indiscriminately target at least five of your clients.""I felt sick when I read it," said Carla, the owner/manager of Re-bar. "It's so vile. It's just hatred. It made me worry for all the other bars, and for my bartenders, and our clientele."
According to the CDC's website, someone who has ingested "a significant amount" will develop vomiting and diarrhea within the first 6-12 hours; other symptoms of ricin poisoning include hallucinations, seizures, and blood in the urine. There is no antidote for ricin but ricin exposure is not invariably fatal.
"I just had the police come pick [the letter] up," said Keith Christensen, the manager of The Eagle, when reached by phone. Christensen had already heard about the letter from other bar owners and managers, and so he didn't open it. "It's probably nothing," Christensen added, "but the economy is really screwing all the bars right now, and the last thing we need is something ramping up the not-go-out mode people seem to be in right now. It's really freaky that someone would do something like this at a time like this."
Christensen says he's posted signs at the Eagle advising patrons not to leave their drinks unattended.
"The police have already come and gone," said Roland, the manager at Madison Pub. "They collected the letter and that's about it. I don't think it's anything to worry about it." Roland admitted to being unnerved by the letter at first.
"But after the initial 'what?', it's like whatever."
A letter also arrived in the Stranger's offices, addressed to the attention of "Obituaries." The letter's author said the paper should "be prepared to announce the deaths of approximately 55 individuals all of whom were patrons of the following establishments on a Saturday in January." The listed bars are: The Elite, Neighbours, Wild Rose, The Cuff, Purr, The Eagle, R Place, Re-bar, CC's, Madison Pub, and the Crescent. "I could take this moment to launch into a diatribe about my indignation towards the gay community," the letter concludes, "however, I think the deaths will speak for themselves."
Alison, Luying, and Tippett, local promoters and DJs who do nights at various bars around town, came up with the idea of organizing a pub crawl for this Friday night to show support for the bars that were threatened.
Carla at Re-bar added that, as distressing as the letter was, she was pleased with the response from the community.
"Everyone is calling each other, everyone's got each other's backs."
Seattle MC Avery Turner (AKA First Black Prez)—one of the men injured in the Chop Suey shooting—is apparently conscious and talking with friends at Harborview.
Turner was shot in the chest during a hiphop show Sunday morning and was rushed to the hospital with life threatening injuries. Friends say Turner had been on a respirator since Sunday.
Another man, James Jones (known as Trama) was shot in the leg and shoulder. A third victim, Joseph Ryan—who performed under the name 29-E—was killed in the shooting.
A benefit show for the victims of the shooting is tentatively scheduled for next month.
Cross-posted on Slog.

A new night called Nasty’s (’sup with that apostrophe?) debuts at Capitol Hill bar Havana (1010 E Pike St) Jan. 21. Hosted by DJ Sean Cee, B-Boy Free (Circle of Fire), and DJ BlesOne (Massive Monkees, They Live), Nasty’s replaces the disco night Studio, which previously held down Wednesdays.
"I wanted to do a night that was just good hiphop, reggae, funk, soul," Sean Cee says. "I feel like there are so many nights that are mash-up/electro remixes/etc., so i just wanted to do a good ol' hiphop night. There are going to be B-boys and a different guest DJ every week, where the DJ can play whatever he wants."
I think it’s safe to say any venture featuring BlesOne will be worthwhile, based on what I’ve heard of his work solo, accompanying Massive Monkees, and with They Live—plus, the concept is solid.
Good luck, Nasty's.
I think… I’ve narrowed it down, at least. Ya'll had some great suggestions, and here's what’s currently in the running:
Maybe it's a three-song kind of year?
Send an e-mail to lineout@thestranger.com with Tim and Eric Awesome Show in the subject line to enter. The show is Monday, January 13th, and it is all ages.
Read yesterday's post for the full scoop.

Seattle's much-loved live techno crew Truckasauras, who I think have never played further afield than Portland, are hitting the road this month. Here are the tour dates, check them out if you're down the West Coast:
January 17 - Portland - Backspace
January 19 - Sacramento - Club Pow @ The Press Club
January 21 - Los Angeles - Club Moscow @ Boardners
January 23 - Las Vegas - The Beauty Bar
January 25 - Los Angeles - Camerata @ Cinespace
January 27 - Salem - The Space
January 28 - Bellingham - WWU Underground Coffee
By Lauren Max, who has many more fun party shots here.
Directed by longtime Knife video artist Andreas Nilsson:
I can not wait to hear this album (even though I'm kind of anxious that it won't quite top the combined greatness of Deep Cuts and Silent Shout). (via Pitchfork)
Ultra-prolific beat scientist Madlib samples the main riff of Buzzcocks’ 1977 song “Boredom” on “The Get Over (Move)” from Beat Konducta Vol. 5-6 (Stones Throw, out Feb. 10). This is as weird and unexpected as Kanye sampling Can’s “Sing Swan Song” for “Drunk and Hot Girls.”
Will punk be the next genre to be plundered by hiphop producers? Perhaps, though prog and psych rock still haven’t been tapped out, not by a long shot.
"Hold Time" is the title track of Ward's upcoming album, which'll be out on Merge February 17th. It's a fitting soundtrack on a cold, damp, dark day like today.
(ht Pitchfork)
Now that we’re done pondering over what we loved in 2008, let’s join hands and salute the first batch of new releases that hit record store shelves today, January 6, 2009. It’s the least we can offer when we totally forget about them at the end of the year.

Animal Collective — Merriweather Post Pavilion
Domino (LP)
Okay, so maybe there is one album that won’t be forgotten about. With the internet internally frying itself out trying find a leak to Merriweather Post Pavilion and Pitchfork giving the album a fawning 9.6 review yesterday, I’m beginning to think that “Milk Nasty Fruit Punch Good” is all one would need to type to find any mention of the album. (Just you wait!) It’s just a shame I can’t join the choir and echo the glee - my short lead digital promo is still sitting in an inbox somewhere. Oh well.
Hearing the shitbit version on computer speakers is not the way to hear a band who is essentially interested in sound construction. The fact that the LP (with download card, naturally) comes out two weeks before the CD is a good indication that Animal Collective want to be heard first by people who actually care to chew before swallowing. Internet Fail, Records Prevail.

Glasvegas — Glasvegas
Columbia (CD/LP)
Speaking of internet failures: brand-spanking-new bands like Glasvegas that release their music digitally first in hopes of stirring up some buzz by the time the physical record comes out in shops domestically months later. What, then, has the buzz been about? Not their cringe-worthy band name. Instead, some acclaim (mostly from the UK) has been hoisted on the shoulders of the heavy-tongued Scottish band for their soaring dream-pop. Unfortunately, it’s uncomfortably average and completely forgettable. The average listener who likes this band now will find something better to latch onto before the next KEXP pledge drive — or after their January 10 performance at Chop Suey.

King Khan + BBQ Show “Animal Party” b/w "God of Raisins"
Fat Possum (7” single + coloring book)
Speaking of bands that played at Chop Suey not too long ago, how about a couple hot, greasy songs pressed onto a hot, greasy slab o’ wax, stuffed inside a coloring book? I think my box of crayons just melted.

High on Fire — Live From The Relapse Contamination Festival
Relapse (CD)
Speaking of melting, one should probably protect their face and ears before listening to this 8-song recording of High on Fire playing in Philly circa 2003! Not only is High on Fire one of the best live metal bands, they are a band who has an axe to grind and never goes dull. At the Relapse Contamination Festival, they pull out early merciless brooders like “Blood From Zion,” and pay homage to Venom with “Witching Hour.” Doom you all!
Bad news to start off the new year: The Stooges’ Ron Asheton found dead
Not dead yet: Grateful Dead reunion announced
Forty years later: Kraftwerk cofounder quits band
I hate the future: More music sold in 2008 than ever before, but fewer albums
Trent Reznor loves the future: NIN make another cryptic announcement
Fuck it, I’m going back to bed: Bob Marley collaborator Vincent Ford dead at 68
The Detroit Free Press is reporting that Ron Asheton, guitarist for the Stooges, was found dead in his home early this morning. The authorities say they do not suspect foul play. Asheton was 60.
Damn. Now I'm really bummed I missed them at Bumbershoot 2005. Phooey.
I was, however, lucky enough to interview Ron circa the release of Todd Haynes' 1998 glam rock valentine Velvet Goldmine, where he was part of the faux-Stooges ensemble Wylde Rattz. The guitarist had this to say about the soundtrack's Iggy stand-in, and one of the biggest Stooges' fans in Seattle (or anywhere else):
"It was especially weird playing with Mark Arm. He does a pretty good Iggy imitation. When he started singing, it was a little creepy. I had to look in the vocal booth to see who was over there."
R.I.P. dude.