On Mr. Lif’s “Head High,” producer Therapy flips the wistful vocal from Aphrodite’s Child’s “Break,” a gorgeous ballad on the Greek prog-rock band’s classic 1972 double LP 666. Lovely. I live for shit like this—when an unexpected song ends up enhancing a hiphop track and triggering trainspotting geekery in the process. Thanks, Therapy and Lif.
In other news, Lif’s new album, I Heard It Today, is great: earnest, intelligent, liberal backpack boom-bap.
Thank you.
Because I don't. But I've watched this trailer a few times now and it makes me really want it. Maybe if you have it you can confirm that it's as awesome as it looks...
Fuck it. Even if you tell me it sucks I'll probably buy it anyway.
Courtesy of muumuuhouse (the "me" below is Lin):
me: i feel lost
5:55 PM
damn, m.i.a. is 33
i feel relieved suddenly for some reason
CRLS: feel like ur not successful 'until ur old' or something
me: damn she's almost 40
pretty much
feel sad
5:56 PM
CRLS: feel like we might be 'ahead of schedule'
according to some artistic standards
5:57 PM
me: damn, seems good
(You know, if you think about it, blockquotes are just like putting big, sarcastic quotation marks around a whole conversation.)
A couple, both dressed in black, steps out of Sonic Boom. They're in their late 30s, and look like they've both drunk many drinks and smoked many cigarettes. He has a little soul patch and curly hair. She has brittle, dyed-yellow hair.
Him, holding CD case in the air: This is the best record of all time.

Her: Maybe not of all time.
Him: Name one. Name one that's better.
Her: Uh—Raw Power?
Him: Nuh-uh. This is much better!
Me: Who is this best band of all time?
Him: Ours. O-U-R-S. They are the best band of all time.
Her: No, they're not.
And so on.
Now please enjoy this informational video about this purported best band of all time:

Oh, thank fucking god! Swedish laptop hypnotist the Field debuted a new track from their forthcoming sophomore album Yesterday and Today on Pitchfork today, and it's really good, all drippy micro-samples, vocal wisps, and twinkling synths over a steam-engine-industrial drum loop. I am so, so relieved. See, I was worried for the Field's forthcoming album. I love the Field's first full-length From Here We Go Sublime, but Field maestro Axel Willner followed that album with the Sound of Light EP, a work commissioned by a fancy Swedish hotel, that simply repeated the tricks of Sublime with greatly diminishing results. At the time, I told myself it was just a commissioned, commercial work, and dude was quite probably, understandably just phoning it in. That's what I hoped anyway, because the alternative would be that Willne's one production trick had simply run its course and wouldn't be yielding any further rewards. This song, though, "The More that I Do," fully restores my faith in the Field, and has me eager as hell for a promo copy of the whole album.
The Field plays June 8th at Nectar, with a live band featuring Battles' John Stanier (!) on drums, w/ the Juan Maclean
Good news for people who like concise, hooky, punk-inf(l)ected rock with singing drummers. The press release clearly lays out the details.
...Hardly Art will be releasing the next record from Seattle’s Unnatural Helpers. After harboring a secret crush on the Helpers for countless months we have finally popped the big question (“Wanna do a record?”) and they said yes!
The Unnatural Helpers are one of Seattle’s finest punk bands, the brain child of drummer/singer Dean Whitmore. The current incarnation includes Kimberly Morrison (Dutchess & the Duke) on bass, and Brian Standeford (Idle Times, Catheters, Tall Birds) and Leo Gephardt (Catheters, Tall Birds) on guitars.
The Helpers play driven, catchy, guitar-heavy punk. Whitmore’s vocals are endearingly cutting and sarcastic, while his urgent drumming always seems to be racing the rest of the instruments to the end of the song (songs that generally clock in under the 2:00 mark). The band’s most recent release was the Dirty, Dumb and Comical 7”, the first installment in the current run of the Sub Pop Singles Club.
The band is currently plotting out a plan for recording...
Please enjoy this a cappella (with drums) cover of the Metallica song "Battery" by a group of VERY AWESOME Deutschlanders. (Sorry, I cannot embed.)
What has Sweden's pop princess Robyn been up to?
| The Daily Show With Jon Stewart | M - Th 11p / 10c | |||
| The Stockholm Syndrome | ||||
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(Hat tip Jesse!)
Just Hear It is a music search engine that allows you to listen to mp3s and watch videos without leaving the search engine page. You can also create playlists and DJ your workday. It's free and apparently it's legal because they pay for their licenses.
It doesn't have everything (I couldn't find "Hell's Ditch" by the Pogues, for instance), but I was able to make a nice album-length playlist (mp3s and videos, side-by-side) of the late, much-missed Rondelles. And I found this amazing Valérie Lemercier video:
She's so crazy!
Because tonight is the Mastodon show at Neumo's, and because my partner Patrick will be going to that show, I am faced with the fact that for the next year in the weekly rotation of T-shirts a shirt of the poorest possible taste will be appearing. I hear that their latest album is about astral travel and Rasputin.
I actually rather hope he ends up buying the shirt of Rasputin's face and shaggy hair.
"I come from Chino, so all your threats are empty."
The Return of Oscillate
During its first incarnation, the Oscillate weekly offered Seattle a showcase for exceptional underground electronic music by local and global artists. After a brief hiatus, Oscillate returns as a monthly at Chop Suey with Patrick Haenelt as curator with some stellar Northwest talent. Leftfield-hiphop producer eR DoN, idiosyncratic IDM duo Logic Probe, electro maverick Ya No Mas, and glitch mobsters Ap01t should sate your desire for weird textures and wonky beats, live and indirect. (Chop Suey, 1325 E Madison St, 324-8000. 9 pm, $5, 21+.) DAVE SEGAL
Mastodon, Kylesa, Intronaut
(Neumos) You know the deal: Mastodon are a baroque, stabbing Atlanta band that broke into the metal mainstream with Leviathan, their concept-album homage to Moby-Dick. Their songs have since been featured on Rock Band 2 and Guitar Hero III: Legends of Rock. Their latest album, Crack the Skye, is also conceptual—about astral travel and Rasputin—and meanders through different time signatures and moods with long, crystalline intros ("The Czar") and whirligig riffs and blasting, stop-and-go chords. Is that a banjo kicking off the second track? Mastodon are a metal band for all seasons. BRENDAN KILEY
Trial, 108, Pulling Teeth, Lewd Acts, Skin Like Iron, Wait in Vain, Parasitic Skies
(Vera) Thirty seconds into any Trial song and I instantly revert to my 16-year-old self, where I wore black Xs on my hands, cuffs on my jeans, and a righteous "don't smoke, don't drink, at least I can fucking think" attitude. (The verdict is still out on whether that's a good thing.) Trial were the epitome of Seattle's straight-edge scene during their five-year run in the '90s, and at the time it was the toughest, most badass music I had ever heard—angry, but without self-deprecation and apathy, motivational without being corny or too positive. After reuniting in 2005 for a handful of shows (including one in Seattle and two in London and Budapest), Trial proved their blistering sound and political message are still powerful enough and delivered with enough passion to be as relevant as ever. Tonight at the Vera, they'll blow the minds of a whole new batch of 16-year-olds. MEGAN SELING
Cold War Kids, Crystal Antlers
(Showbox at the Market) Cold War Kids were the non-L.A. SoCal buzz band when I lived in Orange County during '07 and '08. They play blustery blues rock, sort of like if the White Stripes and the Black Keys combined forces and invested in a wind machine. Got more passion than a stadium full of Bonos, these Cold War Kids. Crystal Antlers are some tough-as-fuck Long Beach hombres whom Touch and Go signed before the venerable indie label got whacked by the economy's shithammer. In another publication, I described Crystal Antlers as sounding like the Stooges, if every member played the Iggy Pop role. It's garage punk, but with dynamite in its pants. DAVE SEGAL
Even more shows are listed in the calendar.