Wednesday, May 6, 2009

Decibel Fest's Fate Precarious

Posted by Dave Segal on Wed, May 6, 2009 at 1:58 PM


Decibel Fest director Sean Horton has expressed doubts about the feasibility of holding this year's event if significant funds can't be raised by mid June. It was hoped that tonight's concert at Triple Door would earn enough revenue to allow the organization to maintain its world-class program. However, ticket sales for the show have been far below projected figures. Below, Horton details Decibel's precarious situation.

It's no secret that the majority of Decibel's funding comes from personal credit cards, which the credit crunch has cut in half over the past year. In an effort to fund the festival through other avenues, I recently applied for a home equity loan, only to find out my house is worth less than I owe on it (I've owned my home for over 5 years btw). The application was denied.

It's easy to blame the slumping economy, but similar festivals (i.e. MUTEK, DEMF and Communikey) are showing an increase pre-sales and attendance. Perhaps Seattle's tastes have changed or the city is suffering from the ecomonic slump more than Montreal, Boulder or Detroit, but I find that hard to believe. So far 2009 hasn't been a very good year for Decibel in terms of attendance at our one-off events, which isn't a good sign for the 2009 festival. Not sure what to make of it, but if we can't raise the necessary money by the middle of June, the 2009 festival program will be cancelled.

We were hoping to raise community awareness outside of the electronic music community through events like tonight's fundraiser at the Triple Door, which features classic music, visual art and incredibly accessible music in a dinner theater environment of the highest caliber. After 6 years of promoting events of all types (educational workshops, panel discussions, film, A/V installations, dance, hip hop, experimental, dub, indie, ambient, etc) we had hoped to be able to attracted city officials, sponsors and supporters along with the regulars that come out to our events. As it turns out, tonight's funderaiser is likely to lose money, which a huge embarrassment. If your fundraiser events are losing money, that tells you something.

I've put more blood, sweat and tears into Decibel than I care to recount, as has our staff, all of which volunteers their time to make the festival happen (nobody gets paid). The last thing I want to do is cancel the festival, but if it's going to cost me my job, my house and my creative passion, I'd rather put it to rest and get back to composing music, which is ultimately what got me into promoting in the first place.

Tax-deductible donations to Decibel can be made to its fiscal sponsor Shunpike (www.shunpike.org) at 3518 Fremont Ave N, #118, Seattle WA 98103, or via Paypal to iamnordicsoul@hotmail.com.

(Photo by Sami Khoury via Horton's MySpace.)

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Comments (6) RSS

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1
I'm a little bit tired of these sob-stories. Previous events were put on credit cards, and he considered HELOC-ing his house??! That's just plain and simple bad financial activity, and was destined to end in failure.
Once every few months on Line Out I am asked to donate to someone who's bad financial planning has landed them in the shitter.
I love Decibel, and I attended more than a few of their events, and I would happily pay ticket prices to see more, but I wont bail-out amateurish financial planning.
Posted by pblake123 on May 6, 2009 at 3:30 PM
2
get better lineups...
Posted by djonan http://www.facebook.com/people/Shawn-Fassett/678335125 on May 6, 2009 at 5:12 PM
loganlorelai 3
@1: are you a local electronic music promoter (or music promoter in general)? I am friends with a handful of notable promoters around town, and on most occasions they have to put $$ up front in order to secure a booking. Unless a venue such as Chop Suey or Neumos co-sponsors the event, the money come out of said promoters' pockets. Yes - their own savings accounts or credit cards. They have to pay for all or some of the artist guarantee, airfare, hotel accomodations, and other expenses expected on an artist contract. Now times that by at least two dozen artists and you may then better understand the predicament that Decibel is in. I'd love to see a promoter corroborate this for me as well, so please reply if you have a chance.

@2: dude, have you *seen* the world-class caliber of artists Decibel has brought to town every fall for the past 5 years?! Autechre, Justice, Richie Hawtin, Trentemoller, Diplo, Boys Noize, Green Velvet, Switch, Monolake, Derrick May, Modeselektor, Gui Boratto, Matmos, Simian Mobile Disco, Robin Guthrie, Ellen Allien, Fennesz, Scott Pagano, Harold Budd, Murcof, Apparat, The Field, Isolee, Meat Beat Manifesto, Biosphere, Cobblestone Jazz, John Tejada, Speedy J, Michael Mayer, Chris DeLuca vs. Phon.o, Bruno Pronsato, Stars of the Lid, Matthew Dear, Nortec Collective, Akufen, 3 Channels, Tim Hecker, Claude VonStroke, Funkstörung, Bender, Italoboyz, Subtle, Machine Drum, Sascha Funke, Styrofoam, Lusine, Jeff Samuel, The Dead Texan, Smash TV, Marcus Nikolai, Dabrye, Vladislav Delay, Tipper, Jacob London, T.Raumschmiere, Frivolous, Loscil, Robert Babicz, Christopher Willits, Strategy, Mochipet, Kangding Ray and Deadbeat (from the DB website). What other suggestions do you have?!

Seattle is on the map in the electronic music world in large part because of Sean's insatiable work ethic, vision, and because *no one* else has stepped up to create this kind of festival in our area before him. I sincerely hope he gets the funding he needs (I do believe Decibel recently filed for non-profit status, if I'm not mistaken, which will allow him to receive additional funds from entities such as 4Culture, etc.).
More...
Posted by loganlorelai on May 6, 2009 at 6:47 PM
4
grunge city doesn't care about shitty bleep bloop calculator sounds passing as music? that's weird...
Posted by fat, bitter, right on May 7, 2009 at 4:56 AM
Segal 5
@4
Haven't seen that dimwitted generalization since the early '90s. And Seattle is still grunge city? You need to upgrade your clichés.
Posted by Segal on May 7, 2009 at 10:24 AM
6
@1 : You are a seriously fooling yourself if you think investors and sponsors are going to fund underground electronic music the likes that Decibel brings through. So what do you turn to? How in the hell do you fund a festival if not through credit cards and personal loans? Decibel makes no money off the bar and makes practically nothing off ticket sales after promotion, travel, fees, venue costs taxes, etc. Basically, what you're saying is that if you don't have a shit ton of disposable cash you shouldn't promote events? Or are you saying don't book underground electronic music? Stick to the safe shit that everyone knows? That's exactly why Decibel has respect and notoriety across the globe; it avoids the obvious and continues to champion artists long before they've broke into mainstream popularity.

As for Horton, he's worked a full time job to fund the festival and it that's not dedication, I don't know what is. I believe in the festival and I believe that it has shed much light on a city that until recently has lived solely under the shadow of rock. Long live diversity and long live the idea of taking a chance in what you believe in. Horton represents both in my book.

Posted by Michelle S. on May 7, 2009 at 3:06 PM

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