You know what your problem is...you're one of those poor unfortunate asses who works some higgledy-piggledy swing-shift bullshit job, and your "Friday" or "Saturday" is really on a Monday or whatever. Which, as all of us who have worked higgledy-piggledy swing-shift bullshit jobs will gleefully inform you, completely sucks the balls of a donkey. You poor son's-a-bitches. You miss all the good weekend happenings! (I've been there.) But stop your whining! Tonight you are the luckiest son's-a-bitches in the world (especially if you are a big fag)...because TONIGHT is THIS:

YES! All of the greatest Comeback stars (and you know Comeback happens only once a month and only on a FRIDAY, so you're always working...) like DJ Colby B and Ponyboy (and more!) come out tonight (Monday!!) to groove their singular Comebacky deliciousness all over Chop Suey. The event starts EARLY (8:00pm! HURRY!), but that's really just to accommodate folks who have to get up in the morning. (Losers.) So, make haste! Shimmy into your skinny pants, sharpen those dancing boots, because tonight is COMEBACK, and this time, it's PHYSICAL!
(Ah and it's for a good cause—something about HIV vaccines? Well, if it's one thing we all want, it's less AIDS.)
FREE! CHOP SUEY! (1325 East Madison Street.) Doors at 8! Go! Go! GO!
UPDATE! And, of course, the brilliant and dashing DJ FUCKING IN THE STREETS! will be spinning too, and how, sweet Jesus, oh, HOW, the hell could I have forgotten to mention that? (Say, "Because you've been baked as a Pillsbury pound cake since March of 2001," and I might just slap you for telling the truth. And you do know of course that I predicted he'd become Stranger Music Editor, like, three years before it actually happened? Fucking in the Streets? Well. I'm a WITCH. That's what.)
Now, GO!
Dizzee Rascal's follow-up to last year's enormous number-one-forever "Dance Wiv Me" is called "Bonkers" and it came out today.
It's another collaboration, this time with Armand Van Helden.
Good punch-out. A bit late-'90s.
You can't say Dizzee doesn't now know how to go for the golden chart ring.
Man, Twiztid at El Corazón was completely sold out last night. This left a whole lot of sad juggalos and juggalettes wandering around outside, drinkin' Faygo, and talking to each other, often, in sign language...



More photos after the jump...
Also, in case you were wondering, The 10th Annual Gathering is August 6-9 in Illinois.
And is it just me, or does this Jay-Z/Frankie Valli and The Four Seasons mashup make you want to hear a whole album of peppy Jay-Z remixes? I could go a whole summer listening to just this song.

Read all about it! The rise and fall of D'Angelo:
A moment from his peak:
Six years earlier, a very different-looking D'Angelo stood on a small platform at a soundstage in New York City. His muscled frame was naked, save for a small gold crucifix on a chain, nestled in the valley between his pecs, and pajama bottoms hanging impossibly low on his chiseled hips, exposing the lower regions of a flat, V-shaped torso that pointed suggestively toward his crotch. The pj's would be invisible in the "Untitled (How Does It Feel?)" video being shot that day. In it, the camera opens tight on D'Angelo's head before drawing back slowly to reveal this once-chubby choirboy in all his sculpted glory. The effect is gloriously uncomfortable. As the camera sucks him in, it feels intimate and intrusive, revealing and voyeuristic.
A moment from his fall:
Spread across the kitchen table, marble countertops, shelves — nearly every available flat surface — were empty alcohol bottles of all conceivable varieties. "There was scotch, vodka, beer," Harris recalls. "While I was waiting for him, he emptied the contents out of the corners of three or four bottles to get a shot." D'Angelo himself was unshaven, about 40 pounds overweight...
The blues of D'Angelo.
[We receive a lot of quality electronic-music releases at The Stranger—way more than we can cover in the paper itself. With that in mind, I hope to frequently post brief reviews on Line Out of electronic-oriented albums and EPs that I think deserve your attention. Let the Data Breaking commence.]

Groupshow
The Martyrdom of Groupshow
(~scape)
Groupshow—elite producers Jan Jelinek (electronics), Andrew Pekler (guitar, effects), and Hanno Leichtmann (drums)—create a rarefied beauty from music’s most infinitesimal elements. Each of the 12 tracks on The Martyrdom of Groupshow extracts hidden richnesses from an ascetic sound-design aesthetic. The moods range from whimsical to ominous to Andromeda Strain soundtracky to eggheadedly microcosmic. If it’s not as satisfying as Jelinek’s Kosmischer Pitch or Tierbeobachtungen, The Martyrdom of Groupshow certainly offers plenty of subtle pleasures for fans of all three collaborators here.
If you are fond of the herb or the psych*d*l*cs, you may find The Martyrdom of Groupshow to be an excellent way to test out those substances’ efficaciousness. Uh-huh.
Like father, like son: Jay Weinberg fills in on drums for the E Street Band
Pulling an Akon: Jim Jones pleads not guilty on battery charges
Rolling in broken glass can be expensive: Swiftcover changes policy to insure musicians after misleading Iggy Pop advertisment
This time they're gonna charge you an arm and a leg: New Radiohead album in the works
For anyone planning on catching them in Seattle later this month: Young Widows cancel west coast tour due to broken hand
Today local label Light in the Attic—home of the Saturday Knights and Black Angels, and keen reissuers of classics by Rodriguez, the Monks, Betty Davis, Serge Gainsbourg, and others—is sending Sandy Wilson, Troy Nelson, Tyson Pickerel, and Cody Hurd in a van down the West Coast to sell its merchandise to indie music shops, face to face. (Good luck to the LITA crew: Record-store employees are some ornery motherfuckers.)
But will the savings on postage outweigh the expenditure for gas? We'll be on pins and needles awaiting the answer to that question. In the meantime, you can follow the jaunt via Twitter and LITA's blog.
Read the press release and check the itinerary after the cut.
The Afrobeat-influenced Nomo are playing the Croc tomorrow night. The 21+ show is with Sly Lothario and it costs $10 (buy tickets), but you and a date could go for free! To enter, send your full name to freetickets@thestranger.com with NOMO in the subject line. Two winner's will be notified this evening via e-mail (so you better hurry!).
In this week's music section, Dave Segal says this about the band's latest record, Invisible Cities:
The new Invisible Cities (Ubiquity) further expands on NOMO's idiosyncrasies. The opening title track soars into the humid world-jazz processionals that marked Don Cherry's best '70s work. NOMO's cover of Moondog's "Bumbo" captures the sui generis composer's unruly rhythmic bustle and melodic eccentricity. "Crescent" subtly paraphrases John Coltrane's "A Love Supreme" and adds serene flute accompaniment and restrained hand claps; it's a paradoxically chilled party jam. "Ma" features a bizarrely tuned guitar motif, seraphic female sighs, and spy-flick brass that mesmerize and induce tension with the rarefied skill of Mission: Impossible/Dirty Harry soundtracker Lalo Schifrin. "Banners on High" spirals into psychedelic jazz's most transcendent airspace, while "Elijah" and "Nocturne" float onto a heady, spiritual astral-jazz plane that nods to Alice Coltrane and Carlos Santana's cosmic bliss-out LP Illuminations.
Good luck!
I know, these are days (days!) old, but both songs and videos are worth a listen and a look. The first is made by Tool video-maker (and Cha Cha bartender) Kevin Willis for the (pretty good? just okay?) first single from Modest Mouse's forthcoming No One's First and You're Next; the second is just more adorable awesomeness from Vivian Girls (update: directed by local Brady Hall). (Do not attempt to watch simultaneously.)
Have any of you heard the new Holy Ghost! (DFA) and Soft Rocks remixes of the next single, Of Moon, Birds & Monsters?
Is Queen going to be the new Fleetwood Mac?
The band. Not the Movie.
This weekend Empire Of The Sun came up no less than four times during random conversations and Facebook posts. It started with this:

Wasn't "Empire Of The Sun" JG Ballard's book about growing up during the WW2?!? These cutouts looked like something from "The Last Emporer", or one of the recent Star Wars movies.
Then this:
An electronic ode to Fleetwood Mac with a bit of neo-tribalism thrown in for good measure with a melange of styles that recall recent efforts by Cut Copy and MGMT. The duo from Australia made up of singer Luke Steele of The Sleepy Jackson and Nick Littlemore of Pnau have recently released there album, "Walking On A Dream" in the states and are seriously making a push this summer in the states.
Now of course the damn song is stuck in my head.
Thoughts?!?
Tonight, legendary soul musician Booker T plays the Triple Door:
Booker TWhen musical legends tour in their twilight years, it's usually under sad, financially desperate circumstances—or to promote a new (usually mediocre) album. As keyboardist for Booker T. & the MGs (the house band for Stax Records), Booker T. Jones helmed one of the tightest soul units ever. Their verve and funkiness endure on his vital new disc, Potato Hole, on which Drive-By Truckers and Neil Young back sexagenarian Booker and his expressive Hammond B3. Even the "Hey Ya" cover smokes. (Triple Door, 216 Union St, 838-4333. 7:30 pm, $25 adv/$30 DOS, all ages.) DAVE SEGAL
Gojira, the Chariot, Car Bomb
(El Corazón) French quartet Gojira make medium-sized waves in death-metal's turbid, roiling waters. Uvula-corroding vocals pepper their Sturm-und-Drang klang; the sound is heavy and ponderous, striving for a heroic muscularity, which it sometimes achieves. New York's Car Bomb thrash more frenetically than Gojira, and their vocals—by Michael Dafferner—attain a more strenuous, on-the-verge-of-vomiting tenor, which in death-metal terms equals deeper artistic commitment, I believe. (If your singer can still talk after a gig, he/she fails, right?) Car Bomb bassist Jon Modell informs that "we have a bunch of new material we will be debuting, and our show is crazier than ever." DAVE SEGAL
And there's always more in our complete, searchable music events calendar.