On stage, the trio exchanged glances, furrowed brows, and other contorted facial expressions. Communicating through this non-verbal language, the musicians crafted freeform musical expanses. Their explorations revealed sparse melodic lines, building up tension gradually before ducking out of the limelight. The trio spared the virtuosic noodling for the crowd; passages developed simply, focusing on a few sonic elements at a time in a lightweight fashion. Brief movements were constructed before giving way to drum breaks, in favor of brevity. The music for the evening was more along the lines of folk, incorporating jazz-styled progressions and occasional waves of drone, noise and dissonance.
The penultimate song for the night featured Sir Richard Bishop, playing something like an Eastern melody, wavering between a few strings and notes. An audience member shaped her hands together to represent a heart and raised it up high, floating her heart upwards above the crowd, and breaking it as the trio crested. The communiqué was well timed, and with the waves of noise and drumming loud as they were in the club, might have been the clearest way to describe the moment.
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