
There's really not that much that needs to be said about The Gossip, en generale, at this point. Detractors of the band are few; general consensus is that they fucking rock, and if you don't like them, they don't care. "The Gossip will never die; the gossip will never diet," touts one of their various bios.
So here's the specifics. Gossip played last night at the Showbox and if you missed it, I'm sorry. It felt communal somehow, the entire room moving as one unit, one mass brain, starting slow, ratcheting up in intensity, spilling out into the street satiated at 12:36am.
Champagne Champage— albeit an illogical choice for an opener— definitely know how to get a party started. As testimonial, I woke up this morning singing not Gossip's "Heavy Cross," but Champagne Champagne's spondee-ridden "Molly Ringwald": "She looks like Molly Ringwald / she's beautiful to me / her body a coke bottle."

Moving on to MEN, it's interesting to see Le Tigre's JD Samson in a new element, out front and handling the bulk of vocal responsibilities. MEN is more of an art project than a traditional band, leaning heavily on visuals; cardboard cut outs, a tiny house that sits on JD's head. The songs are concepts. "This song is about making gay babies." MEN played a short, tight set. The bass seemed out of tune on "Make it Reverse," but seeing as neither Ginger nor Michael was playing a bass, I figure there was just a forgivable impossiblity of tuning to a recording, mid-set. I am looking forward to seeing MEN really hit their stride, which their upcoming tour with Peaches should faciliate.

If you wanted to hang out with Gossip, all you had to do was arrive early. Singer Beth Ditto and guitarist Bryce Paine were basically just chilling by the merch table and coat check. (And you didn't recognize them, right? Probs because of Ditto's new red hair, am I right?)

They acted like the show was over— yeah, right— and then came back for an encore or three. Ditto makes a habit of verbally sampling other artists; covering Tina Turner, bridging "Smells Like Teen Spirit" into "Standing in the Way of Control" (Oh wow, Seattle... too soon?) and throwing "Rebel Girl" into the middle of a song dedicated to Tobi Vail.
Bikini Kill is going to make a big comeback this year. If not literally then at least in the collective consciousness. There is some kind of new queer feminist dialectic emerging, which isn't about "grrrls" this time, it's about men. The Gossip's album is Music for Men. MEN's shirts say "MEN ARE DJS" and a guitar amp reads "MEN ARE PIGS" in gold glitter. But it's not about men, the people, in specific. It's about "men," the concept, in general, which is clearly now front and center for playtime.
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