Line Out Music & the City at Night

Thursday, June 10, 2010

Rabid Child Images: Deflower Settings

Posted by on Thu, Jun 10, 2010 at 1:01 PM

Go! Machine Buffalo
  • Rabid Child Images
  • Go! Machine Buffalo
A camera’s shutter closes. A picture is taken, freezing the scene. The action of a moment captured and scorched with blurred clarity forever: A crazed, frothing man leaps from a stage, ripping rhymes and verses out of his machine gun lungs. Braced arms catch him and his screams fill the room’s ears with something about bulls, pendejos, and castles in the sun. He, being Buffalo Madonna, clenches both hands, one on the mic, and one on someone’s sleeve. The look in his vice eyes pleads, “If you don’t hear what I’m saying, life on Earth will end. If there’s not love, you’ll die. So fuck. Everyone. Right Now! FUCK!!!” A photographer, Tyler Soverns, is before him, finger on the button, ready with settings set, in tune, navigating a mosh-like crowd and positioning himself to get the shot. Multitasked are knowledge of the music, the camera, the song, and the tendencies of the people making the song. Tyler Soverns is the photographer behind Rabid Child Images. He’s a live shot specialist, and he spoke, finger off the button, about how he gets shots:

How do you get your pictures at shows?
Soverns: I like to pretend I’m invisible at shows that I shoot because to me, invisibility is a goal of any great photographer. You need to dress in all black like the ninja. After getting the shots I need, I throw down a smoke capsule and vanish into the night. Actually, I wear a stupid blue knitted hat and I'm usually in the crowd trying not to get knocked over.

What do you want viewers to get out of your pics?
My goal with live music photography is to make it look like it was the best show ever. I try to capture the energy of the performers and the audience. It requires some timing and being in the right place at the right time. I want the viewer to think, “Hey, that looks like a really fun show. Why didn't I go?"

What’s your process? Bequeath unto me.
Beer in one hand, camera in the other.

What is the photographer’s version of a guitar solo? Cause you play guitar too, right?
I've played in some punk bands, not a lot of solos happen. Being a musician is a lot different than being a music photographer. A guitar solo is kind of your moment to shine and showcase your style and ability in front of a crowd. It's a performance, whereas a photographer is behind the lens trying to stay out of everyone's way. The photographer is not the guitar solo, their photos prove that it happened.

How does your playing music affect your taking pictures of music?
I guess it helps with the timing and also because I have experience as a musician, I know how to stay out of the performer’s way and not unplug their shit on accident.

What settings do you use?
I learned on film cameras and shoot in manual mode. I don't know what the little flower setting is supposed to do. I rarely photograph a flower. My camera wasn't that great in low light so I use a flash most of the time. Sometimes I drag the shutter to capture the stage lighting and ambient light and the flash freezes the action. Generally speaking, I shoot at 800 iso, which requires less light from the flash, at an aperture of eight or so. The shutter speed depends on the amount of stage lights at the venue. I make manual adjustments to the flash and shutter speed from there.

How often do you photograph people with their clothes off? How often do people take their clothes off and ask you to take their picture? Do you use the flower setting for those shots?
No, that’s the deflower setting.

Friday, June 18th at Upper Playground, Rabid Child Images is putting on an exhibition called ‘In the Grime Light’ featuring Soverns’ pictures of Seattle hip hop. There will be a street BBQ and DJ Sets by DJ Swervewon, DJ 100 Proof, and DJ Radjaw. 4730 University Way Northeast.

Phizz Reunion at Can Can
  • Rabid Child Images
  • Phizz Reunion at Can Can

Ever get caught in a mosh pit with expensive gear that wasn't made for moshing?
I’ve shot a lot of high energy shows in small spaces and anything can happen. Most people are cool and are having fun but there are accidents. I had to tape the on camera flash down with duct tape after my camera was punched at a show and I've definitely had my camera covered in beer and other things quite a few times.

You’re a 'live shot' specialist. Is this something you set out to do? Or did it come about naturally?
I was drawn to music photography because I've always been in bands myself. When I started hearing some of Seattle's underground hip hop, I saw a lot of potential and the music was and is very fun. The shows are really fun too. I started taking photos of bands performing and I enjoyed it. I do like shooting promo pics and editorial portraits too. I like it all really, but shooting shows at small venues has it's own thing. It's almost like trying to "find" pictures. You know they are there, everywhere around you. I’m constantly moving and looking around, watching the performers. Basically trying to guess where the next shot might be.

What's your favorite camera to use?
That is a tough one. I love medium format cameras and if I were rich I'd always shoot with a Hasselblad. They’re so rugged they can be used as a weapon if anyone in the crowd gets too rough. I had a Nikon d80 and it was all I really could afford at the time. It was stolen at Sasquatch and currently I don't have a camera at all. Probably the most practical camera for me would be a Nikon d300 or something else that is good for low light situations. Canons are great too but I'm not very familiar with them.

What are some of the best shows you've photographed?
Last year's Go! Machine at The Crocodile had to be one of the best shows for me as a photographer. There were so many great hip hop acts that gave amazing performances and the crowd was really into it. I think everyone had a blast. Shooting 2 Live Crew at Nectar was another good one. Getting to shoot 2 Live Crew isn't something that happens everyday.

RabidPoster.jpg

THEESatisfaction at The Wild Buffalo
  • Rabid Child Images
  • THEESatisfaction at The Wild Buffalo

Go! Machine Spaceman
  • Rabid Child Images
  • Go! Machine Spaceman

 

Comments (11) RSS

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1

that first paragraph nailed exactly why i hate mad rad.
thanks!
Posted by crisco on June 10, 2010 at 1:57 PM
Trent Moorman 2
Crisco, I'm sure they'll be crushed by this news.
Posted by Trent Moorman on June 10, 2010 at 2:03 PM
More, I Say! 3
I laughed!

I cried!

I thought about that stupid blue hat!
Posted by More, I Say! on June 10, 2010 at 2:30 PM
4
@ 1, and it's exactly why I love Mad Rad.

Does it suck to be so fucking lame? Or are you oblivious?
Posted by Samanthal on June 10, 2010 at 2:59 PM
5
Great pictures, Tyler. Nice work!
Posted by Samanthal on June 10, 2010 at 3:00 PM
6
Deflower setting! I use that sometimes....
Posted by Kelly O on June 10, 2010 at 3:10 PM
7
I agree with Buffalo. Love or die.
Posted by Sinthetia on June 10, 2010 at 3:51 PM
Pat Boone 8
When i was a kid we didn't have cameras, we had to remember exactly what we saw and draw it by hand. I enjoyed these pictures of out of control youth destroying this proud country. Thanks.
Posted by Pat Boone on June 10, 2010 at 7:34 PM
Pat Boone 9
i knew a lot of good men who got deflowered in the war
Posted by Pat Boone on June 10, 2010 at 7:35 PM
Lisa Dank 10
Fuck yea Tyler. Keep deflowering.
Posted by Lisa Dank http://myspace.com/lisadank on June 13, 2010 at 6:17 PM
11
Sorry your camera was stolen. That's lame! And I agree, GO! Machine was the best weekeng all winter. Let's GO! Machine 2!!
Posted by katmet07 on June 17, 2010 at 5:15 PM

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