It’s fortuitous, then, that there’s a new track out by the San Gabriel Valley’s foremost twangadelic youngsters, Norse Horse. “Shooodikids” doesn’t venture too far beyond the sonic boundaries established on the band’s heavenly Secret Geographies full-length, but it does provide a nice dose of soothing, solar-powered pop. The song’s aqueous guitar riff is boss enough to compensate for the minuscule deficiencies in the overall mix; if the vocals were mixed a little higher, the track might be a perfect June Jam.
You can grab an mp3 of “Shooodikids” over at the ever-estimable 20JFG.
I’ve also been grooving on a couple other aurally pleasing, meteorologically-contradictory tracks that have been making the blog rounds: Matthewdavid’s “Trusss” and “Late Key” by Veux. “Truss” is a wonkified bit of sidechained chillness that (surprise, surprise) also hails from a sun-flooded studio in Southern California. Veux is a collaboration between Matthewdavid (who, despite the implications of his moniker, is actually a solo beatmaker) and Atlanta’s drowsy, graffiti-haunted pop act Dog Bite. The sound of “Late Key” is promising—more sunrise than vibrant sunset, if you’ll pardon the cliché. If I were in the business of making wildly hyperbolic and borderline-baseless predictions, I’d say that “Late Key” sounds like the future of chillwave (whatever that means, right?).
You can nab “Truss” and “Late Key” at Friendship Bracelet.
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