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Thursday, September 23, 2010

Vampire Weekend at the Paramount

Posted by on Thu, Sep 23, 2010 at 12:23 PM

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Back in town for the first of two nights at the Paramount to make up for their sudden cancellation at Marrymoor last month, Vampire Weekend were appropriately apologetic and gracious last night. "It's not a Sunday in the Park," said singer/guitarist Ezra Koenig, "but thanks for being here....we can pretend it's a nice summer day."

The stage set-up was pretty great. On the wall behind the band was a big circular, chart-like mandala with text of the lyrics to "White Sky"; for some reason (the line work? the font?) it looked like something out of an issue of the Believer. My eye landed on the word "lunch" in one of the circle's inner rings, and it struck me what a weird, lumpy word that was to be at the center of such an airy, effervescent song. For some slower songs, "Taxi Cab" and I think "I Think UR a Contra," the lines of a map, depicting the "Port of Contra," were projected over the circle in blue. For other songs, chandeliers descended over the band, lighting up and dangling up and down at various heights, like the album cover of their debut come to life in multiple.

The band directed call-and-response on a few songs and encouraged dancing, but Koenig always added a deferential, "do whatever you want"; these were polite suggestions, not demands. On a couple songs, Rostam Batmanglij would hold a single keyboard note so long that it began to resemble a drone of feedback; on "Horchata," he did this in addition to abandoning the album version's wonderfully plinky, chintzy marimba melody, which sucked some of the joy out of the song. On "California English," Koenig fumbled out an odd little tentative four-note anti-solo. Mostly, though, everything sounded fantastic. Chris Baio bowed an upright bass on "Taxi Cab" as Batmanglij's harpsichord part spooled just slightly out of control. The four-note bass synth at the end of "Giving Up the Gun" sounded huge on the Paramount's system, like the band had hidden a big dubstep part in the song this whole time. They smoothly shifted straight from "Campus" into the equally academic "Oxford Comma" (whose lines about authenticity and "why would you lie about something dumb like that" are still some of the sharpest and most genuinely affecting the band has written).

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Koenig explained that they usually don't play "The Kids Don't Stand a Chance," but that somebody requested it via Twitter, saying that the band owed Seattle, and Koenig conceded they were right. He explained that they only recently started playing "I Think UR a Contra" live, and its Seattle debut sounded perfectly sweet. They played a cover of Bruce Springsteen's "I'm Going Down," which kind of makes sense: Koenig and Springsteen are both from New Jersey, only Koenig doesn't pretend he's working class. Some sweaty guy in the crowd who was waving around both the band's albums shouted out the band's alma mater, "Columbia!" A girl with a sign reading, "GO ON" ran onstage after "Giving up the Gun" and managed to get hugs out of Batmanglij and Koenig. "Good for her," said Koenig. "It's not easy to make it onstage." Rostam played guitar hopping around with a big, open mouthed smile, looking like the happiest guy onstage. Baio did a little backwards-walking, low shoulder swinging skank to the more swinging bass parts.

Koenig apologized and thanked the crowd again. "I don't want to apologize too many times," he said, "so, I'll say thank you. We couldn't ask for anything better than for you guys to give us a second chance...and then plus to get to play with Seattle's own the Head and the Heart"—more about them here—"We'll never give you the run-around again." The sweaty Columbia guy shouted, "You're forgiven!" On the walk back up the hill, a chorus of teenage girls serenaded each other with "Walcott," the band's place-specific but sentimentally universal closing song: "don't you know that it's insane/don't you wanna get out of Cape Cod/out of Cape Cod tonight?"

Set list:
"Holiday"
"White Sky"
"Cape Cod Kwassa Kwassa"
"I Stand Corrected"
"M79"
"Bryn"
"California English"
"Cousins"
"Taxi Cab"
"Run"
"A-Punk"
"One (Blake's Got a New Face)"
"I'm Going Down" (Bruce Springsteen cover)
"Diplomat's Son"
"I Think UR a Contra"
"Giving Up the Gun"
"Campus"
"Oxford Comma"

Encore
"Horchata"
"The Kids Don't Stand a Chance"
"Mansard Roof"
"Walcott"

Photos by Josh Bis; more after the jump

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Comments (16) RSS

Oldest First Unregistered On Registered On Add a comment
1
i read another review that said the house was half full and there was a bunch of prerecorded music throughout the show. true?
Posted by taint on September 23, 2010 at 12:49 PM
Josh Bis 2
I loved that show -- especially their live treatment of "I think ur a Contra" and even the fact that the place wasn't packed.

You're right: the backdrop is reminiscent of McSweeney's Issue 3 -- it's something of a recurring theme for their magazines (see: http://blog.eyemagazine.com/?p=509).
Posted by Josh Bis http://www.thestranger.com/seattle/Author.html?oid=3815563 on September 23, 2010 at 12:53 PM
Trent Moorman 3
Lunch.
Posted by Trent Moorman on September 23, 2010 at 12:58 PM
4
It was indeed a little sparsely populated, likely due to the fact that there's another show tonight. Still a decent turnout with lots of adoring fans in the audience.
Posted by Suzi on September 23, 2010 at 1:01 PM
gloomy gus 5
"But Koenig doesn't pretend he's working class" is hilarious. He was raised in Glen Ridge, which is to Asbury Park as Laurelhurst is to Beacon Hill.
Posted by gloomy gus on September 23, 2010 at 1:02 PM
biffp 6
A couple extra songs over the Vancouver show, and nice adds at that.
Posted by biffp on September 23, 2010 at 1:20 PM
Josh Bis 7
@5: maybe the point was that Bruce Springsteen hasn't been working class for a very very long time?
Posted by Josh Bis http://www.thestranger.com/seattle/Author.html?oid=3815563 on September 23, 2010 at 1:47 PM
8
you forgot the most important poitn about their performance. they are boring. The head and the heart were 5 times more interesting.
Posted by seattledesigns on September 23, 2010 at 2:56 PM
gloomy gus 9
I don't get how Springsteen ever pretended otherwise. Krueger honestly speaks to kids at his level, just like Springsteen did at his age.
Posted by gloomy gus on September 23, 2010 at 2:57 PM
Njoy 10
Why wasn't there mention of The Head And The Hearts performance??
Posted by Njoy on September 23, 2010 at 3:18 PM
gloomy gus 11
"Krueger," ha!
Posted by gloomy gus on September 23, 2010 at 3:26 PM
12
Fantastic photos, Josh.
Posted by Casual_Observer on September 23, 2010 at 3:58 PM
13
How is it possible that in Seattle, the "alternative" paper has a music editor whose favorite band is Vampire Weekend? Not to mention his like of Cold Cave... Can't you guys get someone with a little taste in music?
Posted by Trollytrolltroll on September 23, 2010 at 4:09 PM
14
it's no use, #13. These fucktards gave up a while ago. Must be the bad coke.
Posted by seattles worst music paper on September 24, 2010 at 4:30 PM
15
OMG! Ok yeah, making that GO ON poster was the best disscion ever! Do you have any pics of me on stage? I only have one :( Best concert EVER! I thanked them profusly when I hugged them :) I love vampire weekend.
Posted by MrsIndieRock on December 2, 2010 at 9:57 AM
MrsIndieRock8 16
I am sooooooo lucky that I decided to make that poster! I thanked them profusely when I got to hug them on stage and get them to sign my poster after the show. Best concert ever! I just wish someone had a video! I love vampire weekend! they're my heroes!
Posted by MrsIndieRock8 on December 2, 2010 at 10:06 AM

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