Line Out Music & the City at Night

Saturday, March 16, 2013

SXSW: Dazed and Confused

Posted by on Sat, Mar 16, 2013 at 6:30 PM

Usher w/Afghan Whigs @ Fader Fort Presented By Converse
  • Usher w/Afghan Whigs @ "Fader Fort Presented By Converse"

Here's one of many surprisingly great things SXSW gives you that you never thought to want or need: an Afghan Whigs cover of "Climax" complete with "surprise" Usher guest appearance. This, brought to you by the Fader Fort and presented by Converse, closing out an afternoon at a wristband-required wonderland that managed to live almost exactly up to the (good and bad) hype mountain surrounding its manufactured exclusivity: free haircuts, drinks, kicks, and fresh-spun cotton candy showered with edible glitter (may include gluten additives), and a crushing crowd under the tent. It must've been just a little bit weird for Greg Dulli to transition his recently reborn band's headlining gig into an entirely different gear, but the band went on with the show (pausing occasionally to focus the crowd's thoughts and attention on Lil Wayne's dire condition).

As the unstoppable forces of Spring Break, "the weekend", and St. Patrick's Day began to converge on the festival, one got the sense of a manic energy and the beginnings of a fraying at the seams: voices lost to exhaustion, epic twitter rants about the superficiality of it all, and hating yourself for being unable to resist the opportunity to "live mas" via a free Taco Bell bean burrito in the early afternoon.

Venturing outside the carnival-like core provided a brief escape from the intensity (if not the sponsorship) of it all: in the Rainey Street neighborhood Ducktails played a downright chillaxy set at Clive Bar (Filter/Tumblr/Gap) and East Austin felt more like a neighborhood block party than a mega-festival when I biked over to hear lightning-fingered Marnie Stern on the Hotel Vegas patio shredding and commanding her new Not Zach Hill drummer to shed his shirt to entertain the crowd. Eventually, though, I made my way back to Red River to find swamp punks Disclosure, springily assertive rock from Brooklyn's Parquet Courts, and dreamily atmospheric indie rock from DIIV showcasing various flavors of guitar music at the Mohawk.

The festival goes out with a bang tonight with decidedly non-indie behemoths—Prince, Smashing Pumpkins, Justin Timberlake—each headlining last-minute events that have had people selling energy drinks on Twitter, downloading apps, and re-joining the new MySpace for a shot at tickets. That said, if anyone has favors to spare with Samsung, I'd happily sell myself out for a spot at La Zona Rosa tonight.

Some photos from Friday after the jump.

METZ don't care if you need your eardrums working or your face unmelted

METZ @ Hype Hotel
  • METZ @ Hype Hotel

METZ @ Hype Hotel
  • METZ @ Hype Hotel

Sky Ferreria is treating her voice with tea

Sky Ferreria @ Hype Hotel
  • Sky Ferreria @ Hype Hotel

Sky Ferreria @ Hype Hotel
  • Sky Ferreria @ Hype Hotel

Sky Ferreria @ Hype Hotel
  • Sky Ferreria @ Hype Hotel

Inside the Fortress

FUTURE @ Fader Fort
  • FUTURE @ Fader Fort

Fader Fort viewing station in case the crowds too much
  • avoid the crowd with this handy control booth.

Afghan Whigs @ Fader Fort
  • Afghan Whigs @ Fader Fort

The "lost art" of guitar music
Marnie Stern

Marnie Stern @ Hotel Vegas Patio
  • Marnie Stern @ Hotel Vegas Patio

Disclosure @ Mohawk
  • Disclosure @ Mohawk

Disclosure @ Mohawk
  • Disclosure @ Mohawk

Parquet Courts @ Mohawk
  • Parquet Courts @ Mohawk

Parquet Courts @ Mohawk
  • Parquet Courts @ Mohawk

the face of your revolution
DIIV @ Mohawk
  • DIIV @ Mohawk

Keeping Austin Weird
the looming tower
  • the looming tower

Rainey Snake
  • Rainey Snake

Mohawk Bear
  • Mohawk Bear

 

Comments (3) RSS

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Sean Jewell 1
Every time I see Dulli/Twilight Singers/Afghan Whigs, they bust a few mean covers. I've seen them do JayZ, Outkast, and Biggie with style, awesome to see Usher work with them.
Posted by Sean Jewell on March 17, 2013 at 3:14 PM
2
i can't help but think that sxsw is turning into a complete waste of time.

if you were an unknown/promising new band, and you were accepted to play a showcase there, how pissed off would you be if you (after no shortage of investment in time and expense) played at the same time as the fucking afghan whigs? or depeche mode? or timberlake? or bieber? or prince? or at any one of the times that daft punk was supposedly playing?

kudos to anyone who actually used sx as a way to discover new music. as for the rest of the spectacle, fuck it all. to the organizers: if you want to promote new music, do it. if you want to be coachella, fine, own up to it and do something else. but trying to combine the two only raises the profile of the already-established-and-don't-need-the-press and dilutes the ability for the uninitiated to hear something that's on the come up and could use a little extra attention.

of the... what, 1000? 1500? 2000+ bands that made an effort in hopes of getting some beyond-their-region visibility, i feel for you. i can't help but think you may have a better chance of attracting ears and hearts by playing in the parking lots of whatever next megafestival comes near you.

rant over. it just seems that sxsw is trying to serve too many masters here.
Posted by deepconcentration on March 17, 2013 at 5:21 PM
Josh Bis 3
@2 I feel you -- I'd only been one other time, a few years ago, and this one felt a lot different in terms of the scale of it all. Honestly, I find it easier to "discover" new music at Coachella where you can easily browse stages rather than scrambling around a whole town, trying to account for lines, security procedures, rsvp lists, etc. Going with a badge made this quite a bit easier, but it looked a lot less possible for people with wristbands and appeared to require eternal patience for those trying to do it on the cheap.
Posted by Josh Bis http://www.thestranger.com/seattle/Author.html?oid=3815563 on March 18, 2013 at 6:28 PM

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