MOON POOL & DEAD BAND: This festival is going to be a gas.
You gotta admire the steely nerve of a music festival whose biggest acts are Hieroglyphic Being, John Wiese (and his nasty alter ego, Sissy Spacek), and Wolf Eyes treblemaker Nate Young. Organizer Sam Melancon once again has gone deep into the underground to gather a lineup of national and local subversives who explore the extremities of drone, noise, minimalism, electronic music, and avant rock. Now in its sixth year, Debacle bestows three days of subterranean aural adventures in three venues. Think of it as a concentrated spring break for hardcore experimental-music heads. The Stranger asked Melancon—who also runs a simpatico label called Debacle—to shed more light on this important event.
Did you approach the curation of Debacle differently from previous years? It seems like there's more emphasis on dance music (albeit very strange dance music), judging by Sunday's bill, which reflects the influence of your MOTOR night.
I may have allowed myself to dream a little bigger and go harder for certain artists this year. Overall, the approach was the same as ever. These are artists that I enjoy and would love to see live. That's my only litmus test. I write down a huge list of people I would love to have, and I send out e-mails or ask friends to make connections, and I go from there. As always, what I set out to book and what the final lineup becomes are very divergent, but it's definitely more interesting than anything I could have come up with in a vacuum.
MOTOR is new to Debacle Fest this year. I wanted to go big with a whole night being a showcase of the local MOTOR crew, along with national-level artists that fit in to the vision of what MOTOR can be. I think that night is going to be phenomenal. Just Hieroglyphic Being alone is a huge thing, but I think it will be a historically good night—Moon Pool, Prostitutes, Strategy, GOODWIN, etc. You couldn't ask for a better lineup of mutant-dance heavies.