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Wednesday, January 29, 2014

Jobriath: The Man Who Out-Queened Queen

Posted by on Wed, Jan 29, 2014 at 3:15 PM

jobriath.jpg
  • The Film Collaborative
Jobriath A.D.
(Kieran Turner, US, 102 mins.)

I'm a true fairy.
—Jobriath

He out-Queened Queen.
Eddie Kramer

At a time when the men of glam exemplified androgyny, Jobriath was openly gay (and not bisexual as David Bowie and Lou Reed would describe themselves*).

It wasn't an act—not that theatricality wasn't part of that world, but walking it like you talked in the 1970s was a whole 'nother thing; one fraught with personal danger and commercial risk.

Kieran Turner begins his portrait of the classically-trained musician with the debut of the counterculture musical Hair in 1968, in which Jobriath, leader of the now-forgotten rock band Pidgeon, made up part of the Los Angeles cast alongside Gloria Jones, who appears in the film (and in 20 Feet from Stardom). Friends, like GTO member Miss Mercy, remember his talent, his charisma, and his manic drive.

* Or as others would describe them. Reed was cagier than Bowie when it came to categorization.


The Midnight Special wouldn't let Jobriath perform his S&M number, "Take Me I'm Yours."

If Hair became a hit, Pidgeon didn't follow suit, so Jobriath moved to New York to pursue a solo career. In short order, he found a manager in Jerry Brandt, a dead ringer for Peter Gallagher circa The Idolmaker. Says Brandt, "He could write, he could sing, and he could dance," and so Brandt hyped the hell out of him. The billboard-and-bus approach backfired, though it's hard not to admire the way they made no attempt to hide Jobriath's sexual orientation. Said the artist at the time, "Asking me if I’m homosexual is like asking James Brown if he's black."

Only after establishing his public persona does Turner reveal details about his subject's childhood. If it comes as little surprise to find that Jobriath wasn't his given name, he had a strong sense of self from the start. In that respect—shaking off the past in order to become his authentic self—he recalls Warhol superstar Candy Darling, who inspired Reed's "Take a Walk on the Wild Side."

As Jobriath records his self-titled debut album in the film, it isn't hard to understand his appeal to men, to women, and to the musicians of today. The fans and critics of 1973, however, were a different story, and his records didn't sell. If I had heard his songs on the radio around the time I first discovered Bowie, Queen, and Elton John, I might have picked up his albums, too, but I didn't.

jobriath2.jpg
  • Jobriath in his Hair days (he played Woof, singer of "Sodomy") / The Film Collaborative

Had Jobriath stuck it out, the times might have caught up with him, but Elektra gave up on him after his second LP, 1975's Creatures of the Street, he and Brandt went their separate ways, and a few years later, he reemerged as a cabaret performer, his final musical configuration. Turner doesn't push the allusions too hard, but it's hard not to see traces of Icarus (Brandt as Daedalus), Frankenstein (Jobriath as the monster), and Svengali (Jobriath as Trilby) in their relationship.

I expected a parade of stars to sing his praises during the film, and Turner has delivered a few, but they aren’t necessarily the ones I would've predicted. Jake Shears and Jayne County? Sure, but I didn't know that actor Dennis Christopher was a friend or that Def Leppard's Joe Elliot and Okkervil River's Will Sheff were fans—and yes, that's Richard Gere singing backup on his debut. But Morrissey is notable by his absence; I'll assume he was working on his memoir during filming.

I also have mixed feelings about the animation, which feels extraneous, and Henry Rollins seems like an odd choice for narrator, but Turner otherwise does right by his subject, who died in 1983 just as Britain's New Romantics were taking his looks, his moves, and even his ideas to the top of the charts.

Jobriath A.D. opens at the Grand Illusion Friday, Jan 31. David Schmader recommended the film when it played the Seattle Lesbian & Gay Film Festival.

 

Comments (5) RSS

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1
His costume in that video looks like it could have been an influence on Bowie's Pierrot costume.
Posted by ratzkywatzky on January 30, 2014 at 7:57 AM · Report this
gregario72 2
Glad to hear that Jake Shears is a participant - you can totally hear Jobriath's influence on Scissor Sisters' output. Joe Elliott is a huge fan of '70s Glam Rock (remember the song/video for "Rocket"?), so it makes sense that he would pop up here.
Posted by gregario72 on January 30, 2014 at 12:48 PM · Report this
Kathy Fennessy 3
@1 I wonder what Bowie thought about him? (That costume also reminds me of Klaus Nomi.) The film doesn't mention it--though many people probably know--that Gloria Jones was Marc Bolan's partner.
Posted by Kathy Fennessy http://kathleencfennessy.blogspot.com/ on January 30, 2014 at 1:11 PM · Report this
4
What a weird coincidence, I was just reading about Jobriath a few weeks ago in the book "This Ain't No Holiday Inn: Down and Out at the Chelsea Hotel." I'd never heard of him before, and when I googled him I found out about this movie but didn't realize it was playing here. I'll have to check it out.
Posted by virginia mason on January 30, 2014 at 2:22 PM · Report this
Kathy Fennessy 5
@4 His Chelsea Hotel apartment was amazing!
Posted by Kathy Fennessy http://kathleencfennessy.blogspot.com/ on January 30, 2014 at 5:28 PM · Report this

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