
Two new local rap clips from Central District-minded Fatal and Starr:
On Tuesday, the heralded hip-hop producer took to Twitter and lashed out at the Chicago MC for recording "Around My Way (Freedom Ain't Free)," a remake of his and CL Smooth's 1992 single "They Reminisce Over You (T.R.O.Y.),"Pete Rock, what fuck are you talking about? It's not hiphop to talk like that: "violated," "left alone," "not be touched by no one." Lupe is keeping it hiphop by exactly sampling your sample of an old tune from the trash bin of jazz fusion....The original "T.R.O.Y." serves as a dedication to Pete Rock and CL Smooth's fallen friend Troy "Trouble T" Dixon and samples Tom Scott's 1967 jazz record "Today." After hearing Lupe's "Around My Way" on Tuesday, Rock took to Twitter to express his displeasure with the 2012 version of the song he popularized. "No disrespect to lupe fiasco and i like him alot but TROY should be left alone. Feel so violated,the beat is next to my heart and was made Outta anguish and pain. When it's like that it should not be touched by no one," he wrote.
And, yes, I still rate Pete Rock as the third greatest producer in the history of hiphop. First is RZA, second is Premier, and fourth is Dilla.
I love the new Witch Gardens video for "Aunt Shae/Mean Colleen"...it kind of reminds me of the Supergrass intro to Clueless, except the local punk foursome indulges in occult activities that wouldn't have made the cut for Cher and Dionne's Noxzema commercial. Trading So-Cal's mall culture for Washington's hills and craggy beaches, the song sets a Henry's Dress/Heavenly-esque twee soundtrack to an adventure short that finds them magically frolicking and picking up members of their urban coven along the way (feat. cameos by members of M Women and Stephanie!) The video was directed by Bobby McHugh and the song is from their record R-I-P, which came out 4/20 on Waterwing Records.
Arguably the two biggest villains of Seattle rap team up for some much-welcome bad will:
I forgive Jay-Z for everything. His wife (and the mother of his daughter) is not a bitch. She is the most beautiful woman in the world.

Some breezy new Cloud Nice biz from the wistful Sax G, featuring Nacho Picasso and Jerm D:
I love the contrast whenever Sax's thinking-and-feeling-man rap meets the bellicosity of Mr. Picasso. Also, not sure why Nacho Picasso is in jail right now, but hopefully whatever weekend wild-out it was, it won't mean more than a couple shitty baloney sandwiches and a Monday afternoon release from County; I'm sure he'll be back to terrorizing the town soon enough. The guy's got some catching up to do, as there's probably a couple tattoo appointments he missed, and at least a half ounce he could've smoked.
Live video from TH3RDZ, calling for a city-wide rising tide:
Candidt, JFK and XP kick some real shit; why would you be wasting your time bemoaning or nitpicking the moves of your neighbor, especially when they're blowing up? You know why; ain't shit but some Basketball Wives-ass jealousy, no matter how you try to spin it. Simply get your shit popping in the style you see fit and you won't have to worry about the next man misrepresenting.
A related note: For all the historical bitching local heads do about Seattle rappers never blowing up nationally, the level which the city has been sleeping on these guys, who have plenty of other sources buzzing right now, strikes me as a bit odd. Hip thyself to the albums if you haven't yet, follow Nacho's riotously inappropriate Twitter account (seriously one of the most entertaining in the city), and catch his opening set for fellow Moor Gangster Jarv Dee's Dopamine release show at Chop Suey on the 18th, or both of them at the Capitol Hill Block Party in July.
Check out the latest BSBD-directed video for LotF standout "Staring at the Sun" below.

You know Khingz. You know he and GT formed Abyssinian Creole and hit the scene with unexpected force in 2005. Well, here he is (the "Blaq Han Solo") in a short film/video called "For Colored Boys Who Consider Suicide":
Funhouse Documentary Teaser from Ryan Worsley on Vimeo.
Featuring: Dan Halligan, Mark Ostler, Eric Bruckbauer, Rachel Ratner, Beth Lind Jackson, Larry Jackson, Gary Smith, Jeff Albertson.
Slow-motion shots of the bland greed-gauze of construction that continues to wash away the character of our city. Funhouse's Brian Foss says the place is still NOT sold, and until that gets resolved, everything about the Funhouse future is speculation.
A Seattle without The Funhouse would be a dreaded Seattle.
Here's to a speedy relocation, when and if Funhouse is forced out.
Sol's big announcement...

Right, well, so Tomten, on this record, seem to favor creating an atmosphere of reverence; it's like they've written hymns. Not sacred hymns, but hushed pop hymns, slightly flecked with lysergic glints of radiance. Well, at least it feels that way. It could be the reverb, but I reckon it's their strictly focused writing/playing as filtered through the pop side of '60s Merseybeat/beat and mid-/late-era Velvet Underground. A mix which is easily the premise for a shit ton of indie AND post-indie bands, has been since the mid-'90s, OBVIOUSLY, but Tomten don't rely on '80s born/'90s popularized recycled/cliché indie riffs. It's obvious they're in the know about '60s playing; they're economical and reserved, but are not clouded by the contemporary aural misconceptions of the psychedelic '60s. Their knowingness is then mated to open, crisp, contemporary production, giving them a strong '80s paisley pop sound. It just all FITS. So much so, they play the kind of song I wish Mazzy Star had fleshed out their LPs with, rather than padding 'em out with dodgy blues and Doors-ish "psychedelic" nonsense. I kinda feel if Tomten tried, they could reach as far out as early Tim Buckley... maybe. Anyway, my fave track off the EP is "So So So." This is the single. This is what should be on the radio and in your brain. Jesus. CHRIST. It's good...it reminds me of the Zombies, in the best way possible. I've been listening to this end on end all week.
Here is a clip of Tomten live from EMP's Sound Off! 2011 competition, a competition they won. I'm impressed they can pull off some sweet rural sike ca. 1970. DAG.
....with this remix of Usher's "Climax." The original is also pretty fresh.

The cut opens the show. The cut is called "Why Do Birds." The cut is sweet and bright...

As Grynch (and director Zac McConnell) filmed during the recent Perspective CD release party at Neumos, this video's a family affair; you could definitely feel it that night, as the room was full of folks, myself included, that were fully proud to see the G-Child doing his thing. I reviewed Perspective here—and this, the opening track, set the tone immediately with Jake One's graceful strings (Jake knows Grynch's sound well) and Grynch's grateful bars.
Down at the SXSW Seattle showcase last week, during Fly Moon's set, the sub blew, the mics went off, and all, it seemed, was lost. Not so, as, Adra Boo's strident voice never stopped, and the crowd gathered closer, clapping the beat for her and Action Jackson. By the time the sound returned, the sleepy folks that had stumbled into the early day party were totally locked in on them. Now that is making lemonade, homeboy. Check the speakeasy vibe of this video directed by The Note.
Av Young Blaze continues his ignant reign of terror. This video kind of reminds me of the Star Trek remake with all of those flares—but this is a really nice looking video, with one classic rap-vid element: namely, the neon reflections on the whip. Shouts to Arm for this larger-than-life visual.
As everyone knows, after the XXL Freshman list, there is the nevitable cipher. Here is the one Macklemore is in, along with Kid Ink, Don Trip, and the "runaway slave master", Aussie rapper Iggy Azalea.
On-the-rise local producer Keyboard Kid and Out For Stardom 's savvy early-adopter Darwin teamed up to bring us a new mix. It's so far a stellar soundtrack to my bus ride to Austin-Bergstrom International, where I will catch an experimental spacecraft (powered by it's passengers' based midichlorians) back to Seattle.
Seattle artists Keyboard Kid & Darwin have put together a mix of original productions, remixes and tunes they have been feeling as of late. They will be performing them together live, this Friday, March 23rd at The New Museum in NYC. The mix contains sounds ranging from the mystical melancholy of Keyboard's remix of Kid Smpl's 'On' to the early Acid House stylings of 666-RAVE.All in a BASED mind-set
TRACKLISTING
Fire Walk w/ Me Intro
Clipse - Mr. Me Too (Jaw Jaw Remix)
Nah Like - Boss
Obey City - Fuck That Wobble
Keyboard & Darwin - The Bellz
Hype Williams -Â Break4Love (Karate Chop Edit)
Balam Acab - Now Time
KidSmpl - Over (Keyboard Remix)
Keyboard - God Devil
Keyboard - Lost Love
Keyboard - Youngin
Keyboard & Darwin - 666-RAVE
Keyboard - Vid Game Swag
Keyboard - Party Rock BasedÂ