
This weekend, I visited Zia Mohajerjasbi (this year's genius for film—the party for the award is happening on Nov, 13 at The Moore Theater) on the set for a video he is shooting for Macklemore's new tune, ""The Town":


Rather than taking your morning smoke break, how about zoning out to this amazing clip of French prog masters Magma doing an abridged version of their mind-blowing opus "De Futura" instead? C'mon, it's good for you!
Great cover on Ukuleles: check. Stop-motion animation: check. Post-modern in a meta way: check.
Ladies and Gentlemen, The Withchgers.
Ladies and gentlemen, Ann Liv Young—the woman who might single-handedly reignite the culture wars.
On July 31, Kanye stopped by Why Won't You Let Me Be Be Great!!! at PS 122, a performance-art tribute to 808s & Heartbreak by Neal Medlyn and Brendan Kennedy. But superfreak Ann Liv Young apparently stole the show.
Kanye is sitting third row center, wearing a purple jacket and a barfy expression.
(NSFW.)
Originally posted to Slog, but needed to be shared with Line Out in its entirety. Thanks to Slog tipper Lane.
Dave, I kinda dig that Eric B mashup you posted but it's a bit too trainwrecky for me to listen to over and over. Fortunately, there's this wicked mashup featuring Lumidee's Never Leave You from a few years back laid over My Bloody Valentine's Soon. It's one of my favorite relics from the mashup era. Here it is in cheesy youtube fashion.
This American Life had a great piece this week (originally aired in 1998) about creating music based on the likes and dislikes of the average person. Continued from a previous project creating paintings based on every country's visual preferences, Komar and Melamid surveyed 500 people on their musical tastes and then collaborated with composer Dave Soldier to create "The People's Choice Music." They recorded two songs, one that "will be unavoidably and uncontrollably “liked” by 72 ± 12% of listeners," and one that should be enjoyed by nearly no one. The "wanted" song is a generally unremarkable (but still funny) R&B track with synthesizers and saxophones, but the "unwanted" song is a brash, grating, and continuously hilarious piece of musical genius.
The most unwanted music is over 25 minutes long, veers wildly between loud and quiet sections, between fast and slow tempos, and features timbres of extremely high and low pitch, with each dichotomy presented in abrupt transition. The most unwanted orchestra was determined to be large, and features the accordion and bagpipe (which tie at 13% as the most unwanted instrument), banjo, flute, tuba, harp, organ, synthesizer (the only instrument that appears in both the most wanted and most unwanted ensembles). An operatic soprano raps and sings atonal music, advertising jingles, political slogans, and “elevator” music, and a children's choir sings jingles and holiday songs. The most unwanted subjects for lyrics are cowboys and holidays, and the most unwanted listening circumstances are involuntary exposure to commercials and elevator music. Therefore, it can be shown that if there is no covariance—someone who dislikes bagpipes is as likely to hate elevator music as someone who despises the organ, for example—fewer than 200 individuals of the world's total population would enjoy this piece.
If you just want a taste, skip to around 5:40. I'm not sure I've ever heard a combination of sounds that has made me laugh as hard.
"The Most Unwanted Song"
Click here. PLEASE. I am literally begging you.

The amount of money that went into this blonde lady's vanity project is INCREDIBLE. Helicopters! Dragons! Swordsmanship classes! Also, this is the best thing I've ever seen. Also, can someone explain the storyline to me? Also, sleighride!!
Every time you watch it you will find a new favorite part.
Thanks to Soren for bringing this into my life.
Love Has Enemies.

You may have missed the Lee "Scratch" Perry documentary playing at Harvard Exit last night but all of that will be ok once you hear this hilarious recording of Scratch laying waste to George Bush. Somehow the beauty and frailty of Perry comes through in this short take on his classic tune for Max Romeo, Chase the Devil.
Composing a biography of the notoriously elusive and reclusive Sly Stone has to be one of the most difficult tasks a scribe can tackle. But Jeff Kaliss managed to get face time with the soul/funk/rock legend who composed a couple of dozen songs that penetrated the charts with incomparable dynamics, fascinating rhythms, and indelible melodies. Kaliss I Want to Take You Higher: The Life and Times of Sly & the Family Stone is about as comprehensive a look at one of the most talented and tragic figures in popular music. (Im 60 pages into it right now, but hope to have a full review completed soon.)
Kaliss put in a lot of legwork for this bio, interviewing record-biz figures, band members from the Family Stone and the Viscaynes (Slys pre-Family Stone outfit), and documenting the early years of Sylvester Stewarts life and his family lineage.
Rich Freedman of the Bay Area-based Times-Herald interviewed Kaliss, and the following passage surprised, with its J.D. Salinger-like sense of a genius working in seclusion, generating great quantities of work that nobodys seen or heard for decades.
Sly continues to write and, eventually, produce and perform, Kaliss said, adding that the Grammy winner has "loads" of music left in him."He keeps doing it. He stays up to 3, 4 in the morning just writing," Kaliss said. "He's been doing that all along. But we haven't gotten to hear much of it yet. Even when he's stayed hidden, he's kept going."
One has to wonder: Wouldnt a label kill to release some new Sly Stone material? Or why doesnt Sly release it himself? Or have Prince do the honors? Could it be that this new music isnt very good? Hmmm
Now please enjoy one of the greatest pieces of music ever conceived. Stand possesses one of the most satisfying, gradual builds in pop-music history and the final minute of it represents the most electrifying, despair-obliterating coda ever.