

Veteran UK techno/breaks DJ Lee Coombs—who's featured in this week's Data Breaker column—has a torrid mix to stoke your ass in anticipation of his appearance at Lo-Fi Performance Gallery Fri. April 20 for the Innerflight crew's excellent DROP monthly. More info here.
Seattle techno/house collective Sweatbox will be celebrating its fourth anniversary April 21 at Electric Tea Garden with another of its notorious 12-hour marathon parties. (I'm telling you this now so you have time to rest up for it.) Berlin-via-Detroit DJ Derek Plaslaiko will headline with a four-hour set; co-founder Jonny Romero will return to Seattle from his new home in Brooklyn to join Ctrl_Alt_Dlt on the decks for a tag-team four-hour stint; Sh6rl6s6 (Second Sight, KEXP) and Roddimus & Eugene Fauntleroy round out the bill. Action goes from 10 pm to 10 am; $10, 21+.
To whet your appetite, Sweatbox co-founder Ctrl_Alt_Dlt (aka former Stranger music intern Chris Aldrich) has lovingly crafted a 75-minute mix of trippy, minimal techno and house cuts that exemplifies Sweatbox's aesthetics.
(Check the promo video after the cut.)
Track List
1. The Clap - Mikael Stavöstrand
2. My City - Alland Byallo
3. Lepakk - Pellegrosso
4. Chatter Box - Chloe
5. No Way I Know I Feel - Agaric
6. Lunatic Fringe - Stefan Goldman
7. Around the Bay - Martin Buttrich Remix - Luca Bachetti, Davide Squallace
8. Robots On Meth (David K 'BubbleMix') - Chaim
9. Crocodile Tears (Sis Remix) - Davide Squillace
10. Follow The Smoke - Walker Barnard
11. No Time No Space feat Tigerlily - Gregorythme
12. Stairs Of Love - Ivan Garci
13. Comet (Original - Digitaline
14. Gossip Rats (dOP Remix) - President BongoMixed on two Technics and Serato.
Here's what their blog says:
Following the assignment and the rules, make a mix and submit it by the deadline. The submissions will be made into a compilation, mixed and matched to other Tender Validators, and mailed out the following week. Participants receive an anonymous mix, a compilation, and other various tender validations.
Fun!
The March/April assignment is Just Another Manic Monday: Songs About Disorders. They say:
There are a lot of songs out there about being freaky, being crazy, killing yourself, going schitzo and the like, so let's hear em! Might as well go with the flow as they say. It could just be the cure for those pesky winter blues.
The due date is April 30th. Read more about the project and find out how to participate here.

Spivakov is a true Don. The Stradivari has been on permanent loan to him since 1997. The sound visibly floated out into the wood lined acoustics of the room. The wood tiling of Taper Auditorium is laser cut, as thick as a credit card, and was made completely from a single fallen tree (that fell from natural causes) in South Africa. Because the wood comes from the same tree, the acoustics have a consistency. The wood isn’t absorbent, it’s the opposite. Sound bounces back into the room with a latency of 1.8 seconds, which is considered ideal for symphonic music representation.
The entire Taper Auditorium is insulated and floating on rubber pads which insulate it from the outer shell of the building. It’s an independent structure, separated by an empty space of about half a meter.
Indispensable crate-digger-centric mag Wax Poetics celebrates its 50th issue and 10th year in existence with a mix by DâM-FunK encompassing 10 Prince songs, remixes, and re-edits that haven’t been played to death. Congrats to WaxPo for reaching this milestone in a very difficult publishing environment for print media.
Because I have a soft spot for quixotic endeavors—i.e., trying to convince 21st-century music fans that a lot of amazing prog-rock exists, for one—I present to you a mix of said music by ex-Pitchfork writer/current excellent multi-instrumentalist/composer Dominique Leone. This mix surfaced in late 2009, but it will always stand outside of time, in my mind. Leone’s idea of prog is refreshingly diverse enough to encompass tracks by Squarepusher, David Bowie, This Heat, Cardiacs, Zs, and Franco Leprino, while satisfying traditionalists with cuts by Yes, King Crimson, and Magma. Dig in and feel your musical IQ skyrocket.
(While you're in a Dominique Leone mood, check out his new collection of instrumentals.)
Matching Mole - Starting in the Middle of the Day...
Magma - Hhai (version integrale)
Jean-Philippe Goude & Olivier Cole - Ergo Sum Pauper
Benoit Wideman - Baleze
Franco Battiato - No U Turn
Oh No Ono - Internet Warrior
This Heat - 24 Track Loop
Cardiacs - Spell With A Shell
Happy Family - Rolling Law Court
David Bowie - Weeping Wall
Franco Leprino - Integrati...Disintegrati
Richard Pinhas - L'Ethique, pt. 1
Video Aventures - Tina
Volapuk - Impro Cloche
Weidorje - Vilna
Yes - South Side of the Sky
Catherine Ribeiro & Alpes - Un Regard Claire
Squarepusher - A Real Woman
Zs - B Is for Burning
Albert Marcoeur - Non Long
Cos - Viva Boma
Offering - Cosmos
King Crimson - Fracture
Orcas—Seattle’s Rafael Anton Irisarri and Portland’s Thomas Meluch (Kelly Wyse of the great band Pollens also sits in on keyboards)—have a sweet mix up on Self Titled. The songs here reflect Orcas’ own brand of chill-inducing melancholy and enigmatic beauty, manifested in many forms by Durutti Column, Cocteau Twins, Fennesz, Seefeel, the Zombies, Bohren & Der Club of Gore, and others. Listen to and download the mix and read the insightful commentary here.

Also, while Spotify has a lot of music, I couldn't find some of the tunes so here are links to them via bandcamp and YouTube and such, should you want to supplement the playlist:
"Somebody I Used to Know," by Gotye
"No Hands" by Wakka Flocka Flame
"You Let Me Down" by Joel Plaskett
"Ungirthed" by Purity Ring
"Our Last Shot" by Groenland
"Breath Clad in Happiness" by Envy
"Huzzah!" and "The Last Huzzah!" by Mr. Muthafuckin' eXquire
"Numbnuts" by Nacho Picasso

Seattle via Russia DJ Makedon has a new mix up at The New Worck that's an odd blend of Balkan folk-inflected triphop, wonky, glitched-out funk, and mnml—what he calls "gypsy techno."
Makedon also deserves props for conceiving one of the most clever business cards I've seen from any DJ/musician.
TRACK LIST
Terry Hall & Mushtaq – The Hour Of Two Lights
Tipper – Furlong
Chronomad – Aksak
Thomas Brinkmann – Party Time
Chronomad – Masmoudi
Tipper – End Of Make Believe
Chronomad – Do
Tipper – Tug Of War
Mr. Oizo – Analog Worms Attack
Beats Antique – Borino
Mr. Oizo – Monophonic Shit
Tipper – Tip Hop
Mr. Oizo – Flat 55
Balkan Beat Box Vs Mahal Rai Banda – Red Bula
Thomas Brinkmann – Let’s Go
Shantel – Citizen Of Planet Paprika
Mr. Oizo – Z
Shantel – Binaz In Dub
Stewart Walker – Fernbank 1991
Style Of Eye – The Prophet
Mr. Oizo Feat. Uffie – Steroids
Makedon – Minimal Opa Copla
Konfekt – Jez(Sof)
Zelwer – Soldier Gets Married (Makedon Mashup)
Shantel – Usti,Usti Baba
Shantel – Being Authentic
Balkan Beat Box – Bulgarian Chicks (Makedon Mashup)
Yuri Gruzhy & Russendisco Vs. Zelwer – New Adventure Of Soldier (Makedon Mashup)
Figli Di Madre Ignota – Nema Problema Tourist
Shantel & Bucovina Club Orkestra – Ciganka Medley (Makedon Mashup)
Mahala Rai Banda – Zabrakadabra (Makedon Mashup)
Max Pashm – Klezmernaki
There is never not a good time to listen to Turkish psychedelia, and The Wire magazine has a solid overview ready for your ears on its website right now (it's the audio component to this month's Primer on said Turkish psych; not online, unfortunately). Many of the usual Anatolian-rock suspects appear, as well they should: Mogollar, Erkin Koray, Cem Karaca & Kardaslar, Üç Hürel, Baris Manço, Selda, Ersen, Bunalim, and Edip Akbayram. The thing I love about Turkish psych is that the highs are incredibly high and the lows are thoroughly low. This stuff sounds at once familiar and tantalizingly other. These musicians feel so very deeply and it comes through in the songs with a fierce soul power. Some of the greatest music ever came out of this country in the '60s and '70s. Get into it.
While you're thinking about Turkish psych, do yourself a favor and cop Seattle-based label Sublime Frequencies' expertly curated compilation of singles and rarities by Erkin Koray, Meçhul.
I’m convinced that the ’70s were the best decade ever for music. Rock, jazz, and electronic music mutated into myriad bizarre configurations (progressive, fusion, glam, metal, punk, post-punk, Zeuhl, kraut/kosmische, new age, disco, etc.) and major labels still believed in funding weird shit, so you got albums recorded on sizable budgets by some serious freaks. It would take you at least a few lifetimes to fully savor all the treasures of this bell-bottomed, mutton-chopped, spike-haired decade.
Weasel Walter—former badass drummer for Flying Luttenbachers, current badass drummer and composer for Behold…The Arctopus and many others—helps you to access some of the ’70s’ odder specimens with this mix for 8tracks. He digs deep for gems by Sir Lord Baltimore, Carmen, Amon Düül II, the Residents, Goblin, the Mirrors, Streak, and more. Listen up, learn a lot.

Cairo’s Expo 89 Fest happened this weekend and it was splendid as fuck. Four nights, three days, 16 musical acts, readings, films, jewelry, artwork, clothing, and peoples engaged in cerebral cortex expansion. Cairo puts forth tangible audio visualizations. Cairo is a beacon of the city. Long live Cairo.
Two here from the weekend's prize pack:
- Cairo Records Coastal Sightings Compilation. Featuring tracks from: Flexions, Stephanie, White Rainbow, U, Idle Times, Footwork, King Dude, Stickers, Pleasure Beauties, M. Women, Secret Colors, John Over, Teflon Don, and a collaboration from U.S.F., Witch Gardens, and Big Spider’s Back.

Baths’ Will Wiesenfeld (who plays tonight at the Neptune) spoke of and reeled off multiple references to music that he listens to and that inspires him in Sound Check this week. His, is a musical mind. And the circuitry of his songs draws clement cities in a womb. Slow motion, far off, and sepia. Sounds that will possibly accompany our brain’s final fired thoughts in death’s shutting down. Arthur Rimbaud was woven into questioning by a Weaver, to see how Wiesenfeld disinfects himself from the conventions of electronic music. It got him talking about things he wishes he would hear in songs, and vice versa. Rimbaud and Baths fit. Cogs on their image wheels spin each other well. Friezes frozen by the other:
The lighting comes round to the crown post again. From the two extremities of the room— decorations negligible— harmonic elevations join. The wall opposite the watcher is a psychological succession of atmospheric sections of friezes, bands, and geological accidents. Intense quick dream of sentimental groups with people of all possible characters amidst all possible appearances - Arthur Rimbaud, “Vigils II” Illuminations 1872
From Wiesenfeld’s references, here is a playlist/mix for pre-Baths listening:
Our old buddy Turquoise Wisdom (aka former Sub Pop employee Zach Cowie, now based in the LA area) has stitched together another outstanding, wide-ranging mix for your absorption over at Aquarium Drunkard. The prevailing mood is mellow and mystique-laden, a soulful soundtrack to dwindling light and autumn’s exit. Sink into it. (By the way, a lot of the cuts on Fall Downers could've made it into this article.)
1. Intro by Biggest Crush (with thanks to Conrad Schnitzler and George Clinton)
2. Alice Coltrane – Galaxy In Turiya (excerpt)
3. Tall Dwarfs – More 54
4. Spacemen 3 – Honey
5. Phantom & Hold – Glass Heart (endless thanks to Andy Cabic for the turn-on to this genius 12″!)
6. Brian Eno – St. Elmo’s Fire
7. Frankie Vallie & The Four Seasons – You’re A Song (That I Can’t Sing)
8. Oasis – Caught Away
9. Matthew’s Southern Comfort – Road To Ronderlin
10. Moby Grape – Sitting By The Window
11. The Kinks – No Return
12. John Cale – Andalucia
13. Matching Mole – O Caroline
14. Mellow Candle – Reverend Sisters
15. Cocteau Twins – Watchlar
16. Peter Gabriel – Mother Of Violence
17. Wire – Used To
18. Michael Rother – KM 06
19. Durutti Column – Sketch For Dawn 1
20. Annette Peacock – Sky Skating
21. John Martyn – Run Honey Run
22. sibylle baier – Give Me A Smile
23. Yes – Yesterday And Today
24. La Dusseldorf – Sentimental
25. Bridget St. John – Early Morning Song
26. Roy Harper – Twelve Hours of Sunset
Right now, I'm all about this mix by Shayne Olivier and VenusX. The two form GHE20 G0TH1K (pronounced Ghetto Gothik). GHE20 G0TH1K is just something else. Tricky is in the mix. So is Radiohead and lots of other familiar and not familiar materials. Their mix reaches the condition and intensity of a chopping board.
OC Mixtape Series #3: GHE20 G0TH1K - The Cruelest Intentions Live Mixtape by OpeningCeremony
Seattle future-bass-music savant Ill Cosby has graciously recorded a 44-minute mix highlighting tracks and remixes by Africa Hitech and member Mark Pritchard’s myriad other projects, for optimal career-survey purposes. You can download it here. British duo Africa Hitech—who include vocalist Steve Spacek—play Chop Suey Mon. Nov. 28 with Clicks & Whistles and Justice & Treasure.
Tracklisting:
Africa HiTech 'Do U Really Wanna Fight' [Warp]
Africa HiTech 'Blen' [Warp]
Africa HiTech 'Spirit' [Warp]
Mark Pritchard & Om'mas Keith 'Wind It Up' (Instrumental) [Hyperdub]
Africa HiTech 'Gangslap' [Warp]
Africa HiTech 'Lash Out' [Warp]
Africa HiTech 'Silencer Riddim' [Warp]
Mark Pritchard 'Elephant Dub' [Deep Medi]
Commix & Steve Spacek 'How You Gonna Feel' (Pangaea Remix) [Metalheadz]
Steve Spacek 'Dollar' [Sound In Color]
Eric Lau 'For The D' (Harmonic 313 Remix) [Fat City]
Harmonic 313 'Word Problems' [Warp]
Harmonic 313 'Cyclotron' [Warp]
Harmonic 313 & Steve Spacek 'Falling Away' [Warp]
Aphex Twin 'On' (Reload Remix) [Warp]
Link & E621 'Antacid' [Evolution]
Jedi Knights 'Noddy Holder' [Evolution]
Africa HiTech 'Don't Fight It' [Warp]
The Chameleon 'Links' [Good Looking]
Africa HiTech 'Out In The Streets VIP' [Warp]
Yesterday I found an amazing mix CD on the sidewalk just one block from the office. It was titled Yesterday Love 5, and it had the most random collection of artists on it—from Temple of the Dog and Ozzy Osboune to Bonnie Raitt and Sugarbabes.
But I kept the last song a secret, leaving it up to a reader's poll to guess. There was quite a debate in the comments over which song was the most fitting closing number: Boyz II Men's "I'll Make Love to You," Lisa Loeb's "Stay," Green Day's "Basket Case," Prince's "Come," or Aerosmith's "Amazing."
The majority of Line Out readers guessed Boyz II Men, with Lisa Loeb being a close second. Some of you got all Sherlock Holmes on this shit, too.
Cosby says: "I am analyzing this tracklisting far too much, but I am almost certain it is not Lisa Loeb because of the inclusion of Avril Lavigne and Vanessa Carlton. The person who put this CD together missed the Lilith Faire thing, they are younger by a few years. If I were to estimate their age, it'd be approximately 24-26. If a person likes Lisa Loeb and Chamillionaire, the world would collapse."
Jason Josephes says: "It's Stay. It wouldn't be 1994 without Lisa Loeb. Plus it's the perfect Warm 106.5-like segue from Norah Jones."
Brian says: "I think it's Green Day because this mix gives me the creeps."
DrewZandonella-Stannard turned it into a Spotify mix, "so we can all experience it together."
But blip was right all along: "'Come' was released in 94. It's a creepily fitting song title for the final track -AND- as proven by the preceding 16 tracks, the person who made this CD is gross. Case closed."
Track 17, the last song on Yesterday Love 5 is "Come" by Prince. The song clocks in at over 11 minutes and it includes really gross, slobbery make-out noises. Ew!
Congratulations, blip. You win the CD! Just e-mail me with your mailing address. I'll put it in the mail. You know, if you want it.

In fact, there were TWO CDs in the busted up case. The first was titled Yesterday Love Song 5. Of course I listened to it. Of course I did. And the results were amazing.
Here is what love is, to someone in the world:
1. 50 Cent - "21 Questions"
Most romantic line: "If I didn't smell so good would you still love me?"
2. Temple of the Dog - "All Night Thing"
Most romantic line: "And we fall like a tear falling to the ground."
3. Ozzy Osbourne - "I Just Want You"
Most romantic line: "I think I'll buy myself some plastic water/I guess I should have married Lennon's daughter."
4. Nirvana - "Smells Like Teen Spirit"
Most romantic line: "A mulatto/An albino/A mosquito/My libido/Yeah."
5. Bonnie Raitt - "Love Sneakin' Up On You"
Most romantic line: "You just can't fight it when a things meant to be/So come on let's finish what you started with me."
6. Sting - "Every Breath You Take"
Most romantic line: "Can't you see you belong to me?"
7. Avril Lavigne - "Complicated"
Most romantic line: "Watchin' your back like you can't relax/You're tryin' to be cool/You look like a fool to me."
8. Blue - "One Love"
Most romantic line: "One love for the city streets/One love for the hip hop beats/One love oh I do believe/One love in all we need."
9. Sugarbabes - "Freak Like Me"
Most romantic line: "I've gotta freaky secret everybody sing/'Cause we don't give a damn about a thing."
10. Stevie Wonder - "Part-Time Lover"
Most romantic line: "We are strangers by day, lovers by night/Knowing it's so wrong, but feeling so right."
11. Vanessa Carlton - "A Thousand Miles"
Most romantic line: "If I could fall into the sky/Do you think time would pass me by/'Cause you know I'd walk a thousand miles/If I could just see you tonight."
12. Train - "Drops of Jupiter"
Most romantic line: "Can you imagine your first dance/freeze dried romance/five-hour phone conversation/the best soy latte that you ever had... and me."
13. Aerosmith - "Pink"
Most romantic line: "You could be my flamingo/'Cause pink is the new kinda lingo."
14. Chamillionaire - "Turn It Up"
Most romantic line: "Tip ya cups up until ya get drunk."
15. Paula Abdul - "Rush, Rush"
Most romantic line: Keanu Reeves being in the music video is the most romantic thing about this song.
16. Norah Jones - "Don't Know Why"
Most romantic line: "My heart is drenched in wine but you'll be on my mind forever."
And there's one more song... number 17. The closing track. But I'm not going to tell you what it is—you'll have to guess it! Which of these songs would be the best end to this really weird, random mix of songs?
Hint: It was released in 1994.
Prince and Kate Bush officially collaborated on 1993's "Why Should I Love You?" and 1996's "My Computer".
But in case, like us, you didn't smack your shins against it until now, this is better.
Thanks, Rab.