
Twitter and other manners of teh modern Internets are telling me that it's Squadda B's birthday, so combined with the fact that nobody (neither me nor Larry, I mean) has posted about Main Attrakionz since the colossal-bummer announcement of their 4/22 show cancellation (which I am still HELLA bitter about) I thought I would throw these up for the enjoyment of the, like, four people that should find enjoyment in them.
First, here's birthday guy Squadda linking up with Arkansas MC Pepperboy on a typically cruising Ryan Hemsworth beat for "Stop Tryin." For a guy who couldn't legally drink until today, sounds like he's led quite a life.
"Block Business" was one of the grimier standout tracks from Thaddeus David's highly bumpable Maven release, and today Members Only released a #SECRETE remix done by high-ranking #Based Legend Keyboard Kid. The laid-back, cruising-speed menace of the original track adds on the local producer's signature smoked-out, deep-space electronic synths, cracking snare fills and skittering hi-hats. It fits great with Thad's effortlessly gritty lyrics, and he sounds just as comfortable on this kind of beat as he does on his normally more smooth, jazzy, sample-based beat selections. Listen to it below or over on Members Only's Bandcamp page.
There is nothing hyperbolic about that title. Assembled by the forever up-on-it folks at Mishka NYC and Zach Moldof of Rad Reef, with a little help from Yay Area mover/shaker Dream Collabo and produced by Ryan Hemsworth, "Hyperbolic Chamber Music" is a surprisingly smooth, non-tedious listen all the way through, despite featuring an army of Internet-inclined rappers.
The breezy jazz guitar licks and splashy drum programming definitely help its case, but there's plenty of quality rap stuff to be found here. Highlights include Mondre and Squadda from Main Attrakionz setting things off, Kool A.D., Big Baby Gandhi and Lakutis going in for the Greedhead camp, appearances from Lofty and Lowercase of Miami's Metro Zu, who I have been bumpin heavily for the last couple weeks, and Seattle's own Key Nyata and Keyboard Kid puttin it down for the NW.
Listen or download below, and check the full list of the rappers in order of appearance after the jump.
While walking on the planet of Beacon Hill...

Viper Creek Club has just dropped an excellent remix of Don't Talk to the Cops' "Swag Treated Swag." All I wish is that it was about a minute longer.

This is a sad and more-common-than-you’d-think 21st-century music-biz problem: untagged MP3s. My work computer iTunes is lousy with unmarked or partially ID'd tracks, tracks that I’ll probably never be able to source correctly, and therefore will never write about. *tear*
I don’t know about the technicalities that go into tagging MP3s, but it can’t be that difficult in 2012, as most people have mastered this arcane science. But too many have not.
A recent case in point? I received a download file consisting of five tracks called “Feel Free,” each of which was appended with “section I,” “section II,” etc. Googling failed to turn up anything useful toward identifying the creators. Plugging "Feel Free" into YouTube’s search engine resulted in nothing helpful. A question on Twitter also spurred no response. So now I’m turning to the learned masses of Line Out to see if anyone has a clue as to who are the auteurs of this five-part, 38-minute suite of “Feel Free”s.
The tracks are stately, impressionistic, and beatless. What sound like violins/violas and cello drone and moan with tasteful restraint and momentousness while gently plucked tabletop guitar and/or a harp provide pinprick counterpoint. Their mobile-like patterns vaguely recall Brian Eno’s Thursday Afternoon. At some point, a dulcimer enters into the mix. Things sort of intensify in sections IV and V. "Feel Free" kind of reminds me of some of Eyvind Kang’s work, too, but I don’t think it’s his. He and his labels wouldn’t not tag their MP3s.
So, that’s all I got. Anybody know who the hell made this music? It’s sublime, and I won’t sleep well till the mystery’s solved. Thanks.
UPDATE: Line Out reader and esteemed producer Crazy Old Bat saved the day/month/year with this link to an excerpt of "Feel Free" by New Orleans musician Duane Pitre. Looks like an alternate take, but you'll get the gist. ¡Hallelujah!
Poor Moon is Christian Wargo (Fleet Foxes, Crystal Skulls) Casey Wescott (Fleet Foxes) and brothers Ian and Peter Murray (The Christmas Cards). The band, named for frontman and primary songwriter Christian Wargo’s favorite Canned Heat song, began four years ago as a long distance project with demos being created and sent back and forth while Wargo and Wescott were touring in support of the Fleet Foxes 2008 self-titled debut and Ian and Peter living in the Bay area. Their first shows were at intimate Seattle house parties where they used playful throwaway monikers like Rabbit Kingdom and Cookie Mask. It wasn’t until the band opened up for Daekon at Seattle’s Neumos (under the name Peppermint Majesty) that things began to really take form. Recording began and the four longtime friends became a band and Sub Pop didn’t hesitate to pursue them.

Still, I wonder what happened to Maseo? I hope everything is cool with those three. I hope what ever hit A Tribe Called Quest did not spread and infect them. I hope for the best.
Thaddeus David, previously known as Young TH in SOTA and Thadwick Tristen Trevor III in Helluvastate, just released "By Any Means," the first single from his upcoming solo project titled Maven. A South End native and son of a local musician, Thaddeus has become somewhat of an OG to the new school of Seattle hiphop with both his involvement in local projects (and features for local artists ranging from Stevie and Sam to Nacho Picasso) and heavy Town presence for years now.
The new track features production from longtime LA collaborators Ski Team and guest spots from fellow SOTA guy Parker and Onry Ozzborn, OG to a slightly older school of the local set. Stream it below or on the Members Only Bandcamp page, and be on the lookout for Maven, a collection of solo songs Thaddeus has recorded over the last two years, dropping January 27.

Former Seattle then Portland musician Johnny Jewel used to be known just for his myriad projects, from Glass Candy to Chromatics. Now living in Monteal, the artist has been gaining a mountain of momentum with his recent soundtrack work for the film Drive, an act which may have contributed to Jewel's latest project, and his most audacious work to date.
It's called Symmetry, and it's an imaginary film. Today, Jewel released the full TWO HOUR long soundtrack to this imagination. And it's stunning. Full of atmosphere and electronic curiosity, these are not traditional pop songs by any means. Yet, the 37 tracks that Jewel has assembled really do feel like a full work of art, something that's as visual, and visceral, as anything that's come from the songwriter. And, while Jewel's music almost always contains a retro vibe, this score translates that retro feel into a futuristic setting, while still reveling in a nostalgia for (in my head anyways) iconic 1980s-type film scores.
Sounds great, right? Well, see/hear for yourself. Jewel has made this whole work available online and you can listen to the both hours of Symmetry right here, right now. Get to it!
South Africa's most prominent futurist (Sub Pop's most unexpected singing), Spoek Mathambo, is about to drop a new record, Nombolo One: A Motel11 Roadtrip Tape, that revisits and revises the rich history of South African pop. Released by Motel11.TV, the record points directly to Mathambo's most impressive achievement as an artist: True, he is inventing completely new music, new sounds, new combinations, but he has not at all broken with the foundations of South African pop and language. His music is fully South African and yet fully not South Africa. He brings both extremes (South African/not South African) into one whole.

Even if you haven't heard of Chev, you've probably heard one of his guest verses. Appearing on tracks like Common Market's "Certitude" and Blue Scholars' Jake One-produced "North By Northwest" Remix (one of the finer posse cuts in recent Town history), the South End rapper has been kicking around the local scene for a while. He just released his first album, Charles, on Bandcamp last week, and though it runs a bit long at 17 tracks, it's an honest and passionate effort from a dude who has seen some shit and can rap well about it.
The album and title track are dedicated to his late father, so some of the material here is pretty heavy. But Chev's natural rap voice and technical flow, plus solid production from Def Dee, Jester and BeanOne keeps things moving. Even a quick listen should reveal how much work he probably put into this, so check out standout track "Let It Bleed" below and download Charles on Chev's Bandcamp page or cop it on iTunes.
Tim Maia was a Brazilian pop/soul/funk musician who released 33 albums from 1970 until his death in 1998. Here is his hit single "Não Quero Dinheiro (Só Quero Amar)" from his 1971 self-titled, which was the second of ten different eponymous albums he put out. The upbeat number features some triumphant-sounding horns and strings and Portuguese lyrics about wanting love instead of money.
Enter Cambridge, MA producer Silky Johnson. In addition to having an excellent name and having produced tracks for Main Attrakionz (including a couple from the Mondre EP I posted about last week), he released a pretty strong free instrumental album a couple months ago appropriately called Hater of the Year. Here is the album's first track, "Fuck the Money," a title that makes much more sense with knowledge of the sample material.
He pretty much just loops a sped-up main chorus groove, but he adds in the perfect complements for it. Those skittering hi-hats, that cracking snare, the trunk-ready bass, all sounding like he ran it through some lo-fi filter to preserve that dusty '70s feel. A beat of this kind just begs to be freestyled to. Local rappers, take note.
Stream or download the rest of Hater of the Year on Silky Johnson's Bandcamp. While browsing and bumping along, see if you can spot all the famous haters on the cover art. And since 2011 is almost over now, who's your nomination for "Hater of the Year?"
Listen to Mondre M.A.N.'s "Cloud," produced by Seattle's Keyboard Kid. The track was released yesterday on M A N, a nice little EP featuring half of "best duo ever" Main Attrakionz spitting over beats by their usual all-star cast of Internet producers. Stream the whole thing on Bandcamp. 2011 is almost over and I'm pretty sure Main Attrakionz are my favorite musical discovery of the year.
Read Ian Cohen from Pitchfork's scathing pan of actor/comedian Donald Glover's rap alter-ego Childish Gambino's commercial debut Camp. I didn't think this was a big deal after reading it, but as rap blogger So Many Shrimp points out, there was a 12-page thread on Kanye West's forum about the review a mere 45 minutes after it was posted. Twitter is half up-in-arms and half nodding in agreement.
Download the slightly disturbing stan forum Odd Future Talk's Unreleased Vol. 3, which includes three previously unheard songs from the collective's M.I.A. best rapper Earl Sweatshirt. He was still going by Sly when they were recorded, and he sounds about 13 on one of them, but they're a good reminder of why so many kids are quick to chant about freeing him. "Rebellious Shit" is probably the strongest one.
Check out Juicy J's collaboration with current rap-buzz king A$AP Rocky and SpaceghostPurrp from his Blue Dream and Lean mixtape released this week. It's pretty underwhelming, but cool to hear weirdos from both the old and new school on the same track. Plus, the chorus features Juicy J boasting about "takin' naps."
Since Charles already posted the sick new Shabazz Palaces video I was going to also mention, why not watch Childish Gambino's horrorcore-knockoff video for "Bonfire," the first single from Camp, and decide for yourself whether you are into this sort of Human Centipede-referencing punchline rap.
Lakutis is best known for having three of the more memorable guest verses on Das Racist's Sit Down, Man mixtape and thoroughly abusing the DJ airhorn during the group's Nov. 9 show at Neumos. Today the rapper released his own EP titled I'm in the Forest on Himanshu Suri's Greedhead Music, featuring some Frida Kahlo-looking cover art and seven tracks of triumphantly ridiculous, hyper-referential East Coast nerd rap. The wackiness present here is even higher than Das Racist's already soaring levels of satirical, pop-culture-saturated lyricism, which is to be expected from a dude who apparently plays League of Legends.
The EP's highlights include his electronic party-rocker "Lakutis in the House," which he performed at the Das Racist show, and title track, which rides a Prodigy sample and introduces the "Seven Spiders of Hip-Hop," whatever the fuck those are. The following "Ja Rule" repeats the line "I'm out this world, ho" 16 times before Lakutis goes into his own mumbled/sung version of Ja Rule's completely terrible early-'00s R(ap)&B number "Put It On Me" over a warped psych-rock groove. Things get even more absurd with the Kool A.D.-featuring "I'm Better Than Everybody," perhaps the most #based of all based freestyles that valiantly attempts to outdo every boastful bar ever uttered by another rapper over a belligerent Big Baby Gandhi banger. The last track features both MCs from Das Racist and starts with the line "they be like 'Lex, you play Hungry Hungry Hippos?'" which would make it worth a listen even if it weren't for the already way-nice swag-rap beat from Chairlift's Patrick Wimberly.
Enough talk about this one, though. Head over to Mishka NYC's Bandcamp page to download it for free. But since I'm already talking about this Greedhead release, there's a couple more you may have slept on that I want to mention here.
I know they premiered this track during their Colbert Report performance last month, but today the reunited hiphop duo released the official Internet-single for "Fix Up," the first taste of their forthcoming follow-up to the now-classic Mos Def & Talib Kweli Are Black Star. Though it's been 13 years since the last album, both MCs still go in over this sample-laced, nearly drum-less Madlib production. The lack of percussive knock here doesn't exactly make it a superb, triumphant return to glory, but it's still great to hear them making music together again.
Black Star "Fix Up" by 3DDistro
Kweli and Bey also apparently have an Aretha Franklin tribute side project in the works, simply titled Black Star Aretha. Check out the Oh No-produced first single "You Already Knew" below as well.
In case you missed it during your post-Halloween hangover stupor, Harlem's way-hot-right-now rapper A$AP Rocky released his much-delayed, much-hyped LiveLoveA$AP mixtape earlier this week. Easily one of the biggest blog sensations of 2011 thanks to his "Purple Swag" and "Peso" videos, Rocky (real name Rakim Meyers) translated his plentiful buzz into a $3 million RCA deal right before the mixtape's official release date. Usually a deal that big at a time like that is a career death knell disguised as an opportunity, a move that can only set a young artist up to fall harder from the pedestal they've been put on. While LiveLoveA$AP predictably fails to live up to all that hype, it's a strong enough release to avoid doing any permanent damage to the young rapper's career.

Giorgio Momurda doesn't have just a hilarious name that conjures up images of Bone Thugs-N-Harmony in the studio with an Italian disco producer legend (hey, it happened with Phil Collins), he makes some pretty fresh slaps too. The Eastside resident released a free collection of what he calls "mainly throwaways" on Bandcamp earlier this week, but a few listens are enough to make you wonder what kind of heat this dude has stashed away if he thinks these belong in the trash. Momurda mines multiple genres for his tones and samples, mixing in dub (no bro) breaks and bass wobbles, warped or pitched-up/down vocals, even Asian string plucks. His drums tracks are consistently hip-hop, but range from spacey, downtempo head-nodders to straight Yay Area-style hyphy knockers. The third track "Mondre Momurda" appeared on Oakland duo Main Attrakionz' awesome Dark Grapes & 808s II—one of my favorite releases of the year—and features an incredibly smooth switch-up from cruising reggae bounce to breezy sax-sampling kickback halfway through the song.
Momurda has also produced for the likes of Lil B, and is collaborating on an EP with fellow 425ers Kung Foo Grip to be released in the near future. Download Momurda's beats for free, bump to em, rap to em, talk shit about em in the comments, or whatever you prefer.