

Why it's called "Biz Bag," I couldn't say, but it rocks in a big, bad, beautiful way—and I'm still kicking myself for missing their Seattle show last fall. I even took a picture of the poster, because I was so excited, but then deadlines got the best of me.
Here's an excerpt from Drag City's breathless press release:
This morning, Pitchfork premiered "Biz Bag," one of the completely bonk, top-of-the-pop-tart jams from the freshly pressed-and-forthcoming (May 21st!) "She’s On Top" 12" EP by Sic Alps. "She's On Top," a concise gem-drop! Pure rock 'n' roll directives of an unusually clean (for Sic Alps!) variety pour forever from das grooves and we're not gonna lie—this ain't no waxident, it's a classicident! One solid blast threatens to obliterate both end of yer parties* with vitality and charm, a peakingly [sic] planned romp into the twilight hours that float beyond the late-nite hours. Taste this first listen, and you'll eat exactly what we mean.
* I read that as "panties." (I suspect that DC main man Rian Murphy wrote this thing.)
No really. Is it music? Boyd Rice is about to hit the road as special guest of
Cold Cave on their forthcoming US/Canadian tour. Dates after the jump.

Their 10th (!) studio album, I Hate Music, will be out August 20th. Here's the album trailer:
And a little more info, by way of press release:
I Hate Music will be released on CD, LP and digital. The limited-edition deluxe LP will be pressed on colored vinyl and include a bonus 7-inch containing two non-album tracks, along with an I Hate Music stencil. Both the standard and deluxe LPs will be issued on 150-gram vinyl and feature a die-cut sleeve. All pre-orders in the Merge store will come with an I Hate Music poster, the first 200 of which will be signed by the band.
You can pre-order the album here. And, as you probably know, Superchunk are playing Bumbershoot September 2nd. Tickets are available here.
In honor of their upcoming album Champions of Breakfast, our friends, the non-stop hiphop, snap crackle pop punks Don't Talk to the Cops are challenging anyone with an Instagram (everybody's getting those, you know) account to a BREAKFAST CONTEST! All you have to do is post a photo of your best, most creative breakfast with @donttalktothecops #ChampionsOfBreakfast.
The winner gets a copy of the new record, DtttC cereal, a T-shirt, and a button pack! Also, have you seen this poster?

Yesterday a friend of mine tipped me off to Jar, the new album by Pennsylvania rock band Daylight. "I can't tell if this is like great ’90s rock or the shitty ’00 stuff," he said. I spent the rest of the afternoon trying to figure it out myself.
The song "Outside of Me" has a nice, poppy Foo Fighters feel and "Life In a Jar" has huge production that recalls Hum and early Smashing Pumpkins. I dig it! But on some songs—"In On It" (the intro, at least) and "Youngest Daughter," for example—their hard rock sound creeps dangerously close to the 3 Doors Down/Our Lady Peace post-grunge nonsense. (And "Sheltered" is, like, at least 50% "In Bloom.")
Is it good? Is it bad? Is it possible that a band can be both on the same album?
Let's have a poll! And maybe discuss this question: What does it take to successfully pull off a ’90s sound in a post-grunge world without coming off like all those bands who just sounded like assholes trying to cash in on a trend? Can it be done?

To my ears, Emma "Scout" Niblett falls into the latter category. I keep waiting for her to do something radically different, but she never does—not counting the "Nasty" cover below.
On It's Up to Emma, her confessional vocals remains front and center, bolstered by spare electric guitar and minimalist percussion (kick drum, tambourine), although "Can't Fool Me Now" and "What Can I Do" feel fuller than usual with mournful strings and a soaring, Sinéad O' Connor-like vocal line. As with O'Connor and Cat Power, her emotions lie just below the surface, threatening to escape in full, spilling out all over the place, incinerating everything in their vicinity. It's as if her instrumental restraint keeps them in check. This makes every record an intense, claustrophobic experience.
On "Gun," for instance, she sings, "Think I'm gonna buy me a gun, a nice little silver one." Then, in "All Night Long," she wails, "I don't need to hear her name....get away from her spell...I need a love of my own." Either she has lousy taste in lovers or she expects more from men than any of them can reasonably deliver. I have no idea, but at least she shares some responsibility for these romantic disappointments when she admits: "I fooled myself for too long."

Stereogum has a free download of the song "Love, Love, Love," and the whole thing is on iTunes. The songs are mostly instrumental (and named after ice cream flavors—cute!), so you can listen and act out your own quirky romantic comedy.

In reading up on the band, which has been around since 1997, I learned some interesting things: 1) they took their name from the TV show MacGyver, and 2) they provided the score for Taika Waititi's films Boy and Eagle vs. Shark (featuring Jemaine Clement from Flight of the Conchords).
He's Baaaaaaack: Kim Kardashian's baby daddy has returned to Twitter, with a tantalizing tweet: "June Eighteen," prompting speculation that we're getting a new Kanye album this year.
Neutral Milk Hotel Plot World Domination: According to their tour manager, the recently reactivated Neutral Milk Hotel will soon embark on a tour that "will span the globe."
New Justice Album Available for Streaming: See for yourself if it lives up to the hype.
Deftones Pay Tribute to Chris Kelly: By mashing up "Engine No. 9" with "Jump." The crowd went appropriately nuts.
Say Hello to Chance the Rapper: Chicago's latest hiphop prodigy claims his new mixtape Acid Rain, which dropped yesterday, is "the best tape to come out in 2013." The year's still young but after hearing it, it's hard to argue with him.
And Finally, Hometown Heroes Shabazz Palaces Remix Animal Collective: This is pretty druggy.
A few days ago, choice Norwegian DJ/songwriter Annie ("Chewing Gum", "I Know Ur Girlfriend Hates Me", "The Breakfast Song") returned all sure-footed with the melancholically sophisticated, dancefloor synth-pop glimmer that is "Tube Stops & Lonely Hearts".
As a song, it works double-duty, which is rare: it carries on both the European transportation themes of Kraftwerk's "Trans-Europe Express", Primal Scream's "Autobahn '66", and — just a couple of months ago — Little Boots' "Motorway", but also the lustrous memories of early '90s British dance culture heroically illustrated in The Streets' "Weak Become Heroes". And all the while still coming off adept and modern.
Mix-tape dare!
Go.

Unless you're a Southern rock expert or a liner-note obsessive, you probably haven't heard of Memphis singer, guitarist, and keyboard player Bobby Whitlock.
On the basis of this 21-track Light in the Attic collection, which appears on their new Future Days subsidiary, he was the quintessential 1970s artist: ramblin' man, jack of all trades, classic-rock Zelig. Where There's a Will, There's a Way: The ABC-Dunhill Years combines the two solo albums he released in 1972, Bobby Whitlock and Raw Velvet.
Whitlock got his start by playing with Delaney & Bonnie, Derek & the Dominoes (Layla and Other Assorted Love Songs), and George Harrison (All Things Must Pass), and they would return the favor by contributing to these records, along with bassist Klaus Voorman, sax player Bobby Keys, the Edwin Hawkins Singers, and producers Andy Johns and Jimmy Miller (Exile on Main Street).

Warp Records has announced that it will release hermetic, highly influential Scottish electronic duo Boards of Canada's fourth album, Tomorrow’s Harvest, on June 11. And there was much rejoicing on the IDM list. Tomorrow's Harvest is BOC's first release since 2006's Trans Canada Highway EP. It will not feature a guest appearance by Daft Punk.
Go here for further endarkenment.
Tracklist
01. Gemini
02. Reach For The Dead
03. White Cyclosa
04. Jacquard Causeway
05. Telepath
06. Cold Earth
07. Transmisiones Ferox
08. Sick Times
09. Collapse
10. Palace Posy
11. Split Your Infinities
12. Uritual
13. Nothing Is Real
14. Sundown
15. New Seeds
16. Come To Dust
17. Semena Mertvykh
Boards of Canada's greatest track (still) after the jump.

THE THERMALS
Desperate Ground
(Saddle Creek)
***1/2 (out of 5)
I really do appreciate a good concept record—Lifter Puller's Fiestas and Fiascos would be on my Top 10 Records of All Time list, if I ever bothered to make such a list—but it's getting increasingly difficult to be impressed by such a thing. Maybe it's Green Day's fault for such laughable attempts, or maybe it's our society's obsession with the song over the album, but it feels pointless to even try crafting a concept record in 2013. Regardless, the Thermals give it a go with their latest, Desperate Ground.
Desperate Ground definitely has a concept, loosely wrapped up in destruction-obsessed songs like "Born to Kill" and "The Sword by My Side," but it almost goes unnoticed on the first couple listens. The Thermals have a very specific sound, and I love them for it, but that same crunchy, pogo-pop noise is carried from song to song without too much fluctuation.
Says John Dwyer, in a press release, about new album Floating Coffin, and song "Toe Cutter – Thumb Buster":
"These songs occur in the mindset of a world that's perpetually war-ridden. Overall, it's pretty dark, and much heavier than our other albums." You can hear that sense of foreboding in "Toe Cutter – Thumb Buster. "That one's a song about war. It's like people take less notice of those horrors anymore. Dark goings-on are so ever present that they can just wash over you every day."

Near as I can tell, Maurizio Chiumento (bass) and brothers Nicol (guitar, vocals), Drew (guitar), and Mike Wilkinson (drums) have made no concessions to the modern world. In fact, if I didn't know otherwise, I wouldn't be surprised to find that they actually recorded their second album in 1967 (they used a Tascam 388 8-track). As ever, that kind of fidelity to a bygone era is both admirable and limiting. Admirable because they do it so well and limiting because it's been done before. And some of the garage-rock enthusiasts who would enjoy the LP the most will never hear it, because they have no interest in "new music."
"Can't you see I'm in pain?" Man, Iggy's still so Iggy. Integrity, intact.
BRITNEY SPEARS TO RELEASE NEW SONG “OOH LA LA” FOR COLUMBIA PICTURES/SONY PICTURES ANIMATION’S FAMILY COMEDY THE SMURFS™ 2
Pop icon Britney Spears will release a song for Columbia Pictures/Sony Pictures Animation’s highly anticipated family comedy The Smurfs™ 2... “Ooh La La,” which will play at the end credits of the film, was written by Lukasz Gottwald (Dr. Luke), Joshua Coleman (Ammo), Henry Walter (Cirkut), Bonnie McKee, Jacob Kasher Hindlin (J Kash), Lola Blanc and Fransisca Hall and produced by Dr. Luke, Ammo and Cirkut for Prescription Songs.
Britney Spears added, “I have always loved the Smurfs as a kid and now my boys are the biggest Smurfs fans EVER. I wanted to surprise them with a song in the movie. I know they'll think it's Smurftastic!”
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