
Black Lips made a faithful cover of Willie Nelson and Waylon Jennings' "Mamas Don't Let Your Babies Grow Up to be Cowboys" for a Record Store Day split 7” with the Icky Blossoms.
Am I crazy to like it? What other rock bands have done country covers?
The music hearkens lost prog rock greats like Van Der Graaf Generator or Caravan in quality—the album is brought to you futuristically static and fuzz free by the production quality of Studio Engineer Chris Mathews Jr., and mastering work of Rick Fisher. There is not a single instrument out of place here, which starts to feel more and more like a colossal feat the deeper you get into the album. Stringy synths back driving guitar between heavy drums and mellotron, and Wurlitzer arc and whir throughout—Vait's vocals stretch past the point of belief, he holds notes at will, and changes his attack like a chameleon to suit the environment of the particular song.

Over the course of six songs, Maine's Herbcraft builds up an atmosphere of beauty and menace on their third full-length.
I couldn't say why I find minor-key music so relaxing, but The Astral Body Electric is a case in point, since there's nothing especially uplifting going on here, but the whispers and chants that ride atop Nicholas Barker's rolling, tabla-inspired rhythms have the quality of lullabies, mantras, or incantations (the title also brings Ray Bradbury's anthology I Sing the Body Electric* to mind).
* Along with Walt Whitman's Leaves of Grass, Bradbury's episode of The Twilight Zone, etc.
I wonder what would happen If you read the lyrics to this new ICP song, "Where's God?" out loud, at a coffee shop, during a poetry reading?
Evil is here, the boogie man too,
You don't own a gun, man, you should plan to,
Am I looking at shit negatively,
Crib death mom ain't got shit left,
How the fuck is shit fair out here,
Homeless family froze on the stairs, where's God, bumping his iPod,
It's odd, I'll be the lightning rod,
I wanna know,
Where's God? {pitiful that}
Where's God?
Where's God, when shit goes down?i wanna know,
Where's God? {pitiful that}
Where's God?
Where's God, when shit goes down? {it ain't right}
I guess I wasn't paying enough attention to my Suicidal Tendencies Google alert because I had no idea the band not only had a new album in the works, but that it's out today! 13 is the first new material the band has released in 13 years, and it marks the band's 30th anniversary.
Here's the video for the first single, "Cyco Style":
To watch Mike Muir spit lyrics like "We can't be sold out/We can't be fuckin' bought!" from behind pretend prison bars... in 2013... it feels a little... silly.
Silly-cidal Tendencies.
Grenades, the local riffblasters who've been promising a full-length since last year, are finally coming through! Their debut album, Heaven Is Empty, will be out May 7th on Red Cobra Records and the band gave us the album's opening track, "Emerald," to share with the world.
Here, hear—it'll wake you the fuck up:
Of course my impatient snark above is just a fun jab—in truth, while the Seattle foursome haven't released a full-length, they've clearly been keeping busy. Just last month they released the limited-edition tape Badmotorboater (which you can hear on bandcamp), and in 2011 they did a split record with another worthy local band, Mercy Ties.
Still, very excited about Heaven Is Empty. I've been bugging them about it for over a year. It is time.
Grenades' record release party is May 3rd at the Comet with Smooth Sailing, Serial Hawk, and Old Iron.

Today just keeps getting better—a new Postal Service song, new Prince tour dates, and now, new music from Portland's Gaytheist!
"MANhattan" is a track from their album Hold Me...But Not So Tight, which'll be out May 21st via the always great Good to Die Records. Dig that mischievous bassline, fellas.
Gaytheist's next Seattle show is at Chop Suey on April 13th, as part of the 'Mo Wave Queer Music Festival. With Team Dresch! Tickets available here.

When an artist or group fulfills my expectations right down to the letter, I get bored pretty quickly. It's like eating the same delicious piece of chocolate day after day after day. Within a week, I'm gonna crave something different—even if I don't like it as much—as opposed to the colleague who eats the same microwavable meal for lunch year in and year out. I don't know how she does it.
And that's how I feel about Julian Lynch's third full-length. I found "Carios kelleyi I" entrancing, and hoped the rest of the album would sound like that, but it doesn't. I listened yesterday morning, and felt disappointed, partly due to the muffled singing—and I'm a big believer in the understated vocal—but then I listened again that night, and it clicked, possibly because I expected the mumbling, which ceased to bother me as much. Guess it helps that I used to be into Basehead.
The Quiet Ones aren't the only one with a new video today (I liked your Pike joke, Emily)—Telekinesis has a new video for the song "Ghosts and Creatures"!
The new album, Dormarion, will be out April 2 on Merge Records.
Hold onto your facial hair, local triumphant space-rockers the Quiet Ones are premiering a high-budget music video for "E.K.G." today. Right now. This instant.
This sweet modern riffage can be found on their newest album Molt in Moments, coming down the pike (or should I say, coming down TO Pike! Right? Barboza's address? Ha!) at their not-so-quiet album-release show on April 11.
The Quiet Ones + Marty Marquis, the Young Evils / Barboza, 925 E. Pike / 8pm, $8 ADV

After moving to New York and signing to Blue Note, it's inevitable that Zeidel wouldn't sing exclusively in French. In Lange's case, he still sings primarily in Spanish, but Invisible Life offers his first English-language songs, including the fine single "Dance Ghost," which I wrote about in this post.
Like Keren Ann, who has lived in France and Israel, the Brooklyn musician and visual artist has lived all over the place, including Florida and Georgia (his parents hail from Ecuador, but he grew up in the States). Consequently, writers tend to focus on the fact that he's spent time in humid climates, but it seems reductive to describe his music as "tropical" or "summery." If anything, there's a cool vibe to his material, since he has a blurred way of singing as if he were reticent to get too close to the mic. In other words, he draws more from abstract Latin traditions like bossa nova and Tropicália than passionate, heart-on-sleeve forms like mariachi.
"Itchy gothic synthcore... Detroit's eeriest, scariest, plain witchiest couple... Compressing the sound of gothic cathedral symphonics into the frame of a stuttering, cobwebbed Casio, Miller ratchets up the disco glitch into a ferociously minimal, hyper-tense techno rush."
—NME / Requiem Media
Pre-order, listen:
BONUS VIDEO: Check out the trailer for the 28 minute horror film POSSESSION(S). POSSESSION(S) was written, scored and directed by Nicola Kuperus and Adam Lee Miller. The film can not be purchased on DVD. It can only be experienced in person with ADULT. performing the soundtrack live to the film.

Are you aching for summer? Warm sunbeams hitting your back while you jump around in the waves on the beach? Here, listen to the new Cave Singers record, Naomi, at MTVHive.com.
The record will be released next Tuesday, March 5th.
I've been listening to some things. It's what I do. For instance, this band from Pennsylvania called Gay Republicans and their new EP Raw Doggerel. These guys have crunchy riffs and airtight drums, swimming thick against the current and coming-up champion. You may wanna punch someone while/after listening, but please don't. I understand the feeling though. (Hat tip to Styofoam Drone
on finding these guys.)
Warning: lacks indie-folk, Harlem shakes, ninjas fighting cats, NBA-sponsored hip-hop, reunion news, festival line-ups, authenticity arguments, hauntology essays, misappropriated irony, flannels, beards, side-boobs, and guitars.
Happy Monday, motherfuckers! Turns out it was worth getting out of bed this morning after all. Akimbo posted two new brutal songs today, finally giving us a peek at their upcoming/post-break-up record Live to Crush due out on Alternative Tentacles later this spring.
Prepare your eardrums for the slaughter: