
Two new local rap clips from Central District-minded Fatal and Starr:
I love the new Witch Gardens video for "Aunt Shae/Mean Colleen"...it kind of reminds me of the Supergrass intro to Clueless, except the local punk foursome indulges in occult activities that wouldn't have made the cut for Cher and Dionne's Noxzema commercial. Trading So-Cal's mall culture for Washington's hills and craggy beaches, the song sets a Henry's Dress/Heavenly-esque twee soundtrack to an adventure short that finds them magically frolicking and picking up members of their urban coven along the way (feat. cameos by members of M Women and Stephanie!) The video was directed by Bobby McHugh and the song is from their record R-I-P, which came out 4/20 on Waterwing Records.
This new video, directed by Jordan Utley, for "Fuck Off" from their new Gothdammit EP is très spooky! It's got me wanting to get my Ouija Board out of the closet again. Problem is, last time I used my Ouija board, several weird and awful things happened, including a car accident and a housefire.
If you haven't peeped, nihilistic teenage Chicago rappers are all the rage. Chief Keef, King Louie, Lil's Durk and Reese are all on smash right now. The ladies are getting theirs right now too, making similarly ratchet rap—which I suppose the world needs to balance out the coming tide of suburbanite Claire's clerks rapping about Bud Light Lime.
JonJon and Av Young Blaze's finest work together yet. Av has been self-consciously joking that this joint is "emo grunge trap" but he might be onto something. Even his new look, the gold slugs (fangs?) and longer hair kind of recalls Cage's rebirth circa Hell's Winter, an emo benchmark in rap if there ever was one. Av growls out the hook from "Come As You Are" and I'm not mad in the least; even though I haate when rappers come to town and try to rap over "Teen Spirit", I love that local rappers are not too cool to invoke Nirvana as an influence, especially when it's somebody whose material (and personal history) is as dark as Av's.

If musician Mick Collins hipped me to the new Death documentary trailer via Twitter, author Colson Whitehead (John Henry Days, Zone One) has done the same with the new Thee Oh Sees video. Tweets Whitehead, "Been using Thee Oh Sees' 'Chem-Farmer' as get-to-work music lately. Now there's a video..." That rolling double-drummer groove makes me wanna get to work, too (and yes, I fixed Whitehead's grammar; I'm nitpicky like that). Check out the video below.
That is all.
Holy whoa, I was just hipped to this infectious track from Chicago rapper Mr. Greenweedz. The video is an homage to the 1988 classic film They Live. I'm putting this one on every mix I make for the next six months, FOR SURE.
I think Line Out may have "slept," as the kids say, on the new Azealia Banks track, "Jumanji," which popped up on the intertubes at the end of last week. Go listen! Azealia Banks is so so so so so much fun! More great than this new one, actually, and one I've been thinking about lately because of our lovely weather and the video's perfect summeriness, is her older song "L8R." You will probably get parts of it stuck in your head. I hope, for your sake, they're parts that are okay to accidentally sing in a grocery store, as opposed to the particularly raunchy awesomeness that will get you weird looks. Enjoy!

The first time I heard Cut Chemist's new single, "Outro (Revisited),"* I resisted it, because it sounded too much like Rage Against the Machine or one of those rap-metal meet-and-greets from the 1990s, like Anthrax and Public Enemy's "Bring the Noise" revamp—or the entirety of the Judgment Night soundtrack.
In other words, it didn't sound bad so much as dated—I enjoyed that 1991 Anthrax/PE tour—but I've listened a few more times, and it's grown on me. The Corey Brandenstein-directed video below sealed the deal. Not because it's the greatest thing I've ever seen, but because I love clips and films in which the front person or protagonist never stops moving. (Yes, I like Running Man! Who doesn't?) In this case, emcee Blackbird straps on some stylin' kicks, and gets to it.
*The press notes don't mention it, but the original "Outro" appears on Blackbird's Bird's Eye View.
Well there are a few recongizable Seattle chaps in this one, directed by Stephen Gray. Who is that giant muppet playing with the drum brushes? Surely he is not the child of Animal. OC Notes continues to be coolest cat at whatever set he's on. "My girlies be leavin'/But we rollin' through Dick's, man/Cause I can haz cheeseburger and you can haz a nice evenin'"
Two Motown-centric videos for your Thursday's benefit:
This jewel landed in my inbox yesterday: DMV genius Oddisee remixing a ’60's classic from Dilla's neighbor, the greatest of all fucking time, Marvin Pentz Gay Jr:
Post's title refers to this, of course.
My favorite palindrome, So Many Dynamos, have announced that not only are they releasing a new EP next month, but they plan on releasing a full-length, Safe With Sound, later this fall. Finally! They haven't released an album since 2009's Loud Wars.
To satiate us until the new music comes June 26th, the band also released this video for the song "Matter of Fact":
This video from Kitty Pryde proves that the ranks of the coy teen-girl cloud rap chamber—previously consisting solely by OFWGKTA satellite member Kilo Kish, who's now working on her debut album with The Internet—are growing. This track, "Okay Cupid," is produced by haze-maker Beautiful Lou, maker of ASAP Rocky's "Trilla". I figure since it's a young white girl in a cool shirt rapping about her crushes (she likes Danny Brown, apparently) and drinking shitty beer (Bud Light Lime in her lyrics, PBR in the video) that some of y'all might care.
*(crass use of Weezer lyric purely to make bespectacled Seattle h-words tune in)
Okay, so it's not NEW new... it's been up for a few weeks. But it's new to me! Because I am bad at the internet:
Arca’s Stretch 1 EP conflates cloud rap, illbient, and Robitussin™ triphop into a lethargically oneiric soundtrack for psychotropic nocturnal travel. Arca pitches the vocals either way down or way up, adding another level of WTF? to the proceedings. One of the highlights, “DOEP”—the slowest and lowest sex jam I've heard in ages— also seems to sample something off Jon Hassell’s Fourth World, Vol. 1: Possible Musics—always a winning move. The whole EP is suffused in an aura of eerie sexiness and it all seems very effortless constructed and nonchalantly sublime. You can download it here.
But the clip for “Ass Swung Low” may be one of the creepiest of 2012. It reminds me of Chris Cunningham’s grotesque, misshapen visages in his Aphex Twin videos. Kids, sick oh sick.