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      <title>Comments On: Decibel Fest&apos;s Fate Precarious
    
      by Dave Segal</title>
      <link>http://lineout.thestranger.com/lineout/archives/2009/05/06/decibel-fests-fate-precarious</link>
      <atom:link href="http://www.thestranger.com/seattle/Rss.xml?oid=1512216&amp;id=comments" rel="self" type="application/rss+xml" />      <description>Comments On: Decibel Fest&apos;s Fate Precarious
    
      by Dave Segal</description>
      <language>en-us</language>
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      <pubDate>Sun, 22 Nov 2009 00:00:01 -0800</pubDate>
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          <item>
    
    <title><![CDATA[Re: Decibel Fest's Fate Precarious]]></title>
    
    
    <link><![CDATA[http://lineout.thestranger.com/lineout/archives/2009/05/06/decibel-fests-fate-precarious/#1520328]]></link>
    
    <guid isPermaLink="true"><![CDATA[http://lineout.thestranger.com/lineout/archives/2009/05/06/decibel-fests-fate-precarious/#1520328]]></guid>
    <author><![CDATA[Michelle S.]]></author>
    <description>
      
      <![CDATA[@1 : You are a seriously fooling yourself if you think investors and sponsors are going to fund underground electronic music the likes that Decibel brings through. So what do you turn to? How in the hell do you fund a festival if not through credit cards and personal loans? Decibel makes no money off the bar and makes practically nothing off ticket sales after promotion, travel, fees, venue costs taxes, etc. Basically, what you're saying is that if you don't have a shit ton of disposable cash you shouldn't promote events? Or are you saying don't book underground electronic music? Stick to the safe shit that everyone knows? That's exactly why Decibel has respect and notoriety across the globe; it avoids the obvious and continues to champion artists long before they've broke into mainstream popularity. <br>
<br>
As for Horton, he's worked a full time job to fund the festival and it that's not dedication, I don't know what is. I believe in the festival and I believe that it has shed much light on a city that until recently has lived solely under the shadow of rock. Long live diversity and long live the idea of taking a chance in what you believe in. Horton represents both in my book. <br>
<br>
        
        <br />
        
          Posted by Michelle S.]]>
    </description>
    <pubDate>Thu, 07 May 2009 15:06:10 -0700</pubDate> 
    <source url="http://www.thestranger.com">The Stranger</source>
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          <item>
    
    <title><![CDATA[Re: Decibel Fest's Fate Precarious]]></title>
    
    
    <link><![CDATA[http://lineout.thestranger.com/lineout/archives/2009/05/06/decibel-fests-fate-precarious/#1518676]]></link>
    
    <guid isPermaLink="true"><![CDATA[http://lineout.thestranger.com/lineout/archives/2009/05/06/decibel-fests-fate-precarious/#1518676]]></guid>
    <author><![CDATA[Segal]]></author>
    <description>
      
      <![CDATA[@4<br />
Haven't seen that dimwitted generalization since the early '90s. And Seattle is <i>still</i> grunge city? You need to upgrade your clichés.
        
        <br />
        
          Posted by <a href="http://www.thestranger.com/seattle/Profile?oid=1509980">Segal</a>]]>
    </description>
    <pubDate>Thu, 07 May 2009 10:24:58 -0700</pubDate> 
    <source url="http://www.thestranger.com">The Stranger</source>
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          <item>
    
    <title><![CDATA[Re: Decibel Fest's Fate Precarious]]></title>
    
    
    <link><![CDATA[http://lineout.thestranger.com/lineout/archives/2009/05/06/decibel-fests-fate-precarious/#1517356]]></link>
    
    <guid isPermaLink="true"><![CDATA[http://lineout.thestranger.com/lineout/archives/2009/05/06/decibel-fests-fate-precarious/#1517356]]></guid>
    <author><![CDATA[fat, bitter, right]]></author>
    <description>
      
      <![CDATA[grunge city doesn't care about shitty bleep bloop calculator sounds passing as music?  that's weird...
        
        <br />
        
          Posted by fat, bitter, right]]>
    </description>
    <pubDate>Thu, 07 May 2009 04:56:52 -0700</pubDate> 
    <source url="http://www.thestranger.com">The Stranger</source>
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          <item>
    
    <title><![CDATA[Re: Decibel Fest's Fate Precarious]]></title>
    
    
    <link><![CDATA[http://lineout.thestranger.com/lineout/archives/2009/05/06/decibel-fests-fate-precarious/#1515788]]></link>
    
    <guid isPermaLink="true"><![CDATA[http://lineout.thestranger.com/lineout/archives/2009/05/06/decibel-fests-fate-precarious/#1515788]]></guid>
    <author><![CDATA[loganlorelai]]></author>
    <description>
      
      <![CDATA[@1: are you a local electronic music promoter (or music promoter in general)? I am friends with a handful of notable promoters around town, and on most occasions they  have to put $$ up front in order to secure a booking. Unless a venue such as Chop Suey or Neumos co-sponsors the event, the money come out of said promoters' pockets. Yes - their own savings accounts or credit cards. They have to pay for all or some of the artist guarantee, airfare, hotel accomodations, and other expenses expected on an artist contract. Now times that by at least two dozen artists and you may then better understand the predicament that Decibel is in. I'd love to see a promoter corroborate this for me as well, so please reply if you have a chance. <br />
<br />
@2: dude, have you *seen* the world-class caliber of artists Decibel has brought to town every fall for the past 5 years?! Autechre, Justice, Richie Hawtin, Trentemoller, Diplo, Boys Noize, Green Velvet, Switch, Monolake, Derrick May, Modeselektor, Gui Boratto, Matmos, Simian Mobile Disco, Robin Guthrie, Ellen Allien, Fennesz, Scott Pagano, Harold Budd, Murcof, Apparat, The Field, Isolee, Meat Beat Manifesto, Biosphere, Cobblestone Jazz, John Tejada, Speedy J, Michael Mayer, Chris DeLuca vs. Phon.o, Bruno Pronsato, Stars of the Lid, Matthew Dear, Nortec Collective, Akufen, 3 Channels, Tim Hecker, Claude VonStroke, Funkstörung, Bender, Italoboyz, Subtle, Machine Drum, Sascha Funke, Styrofoam, Lusine, Jeff Samuel, The Dead Texan, Smash TV, Marcus Nikolai, Dabrye, Vladislav Delay, Tipper, Jacob London, T.Raumschmiere, Frivolous, Loscil, Robert Babicz, Christopher Willits, Strategy, Mochipet, Kangding Ray and Deadbeat (from the DB website). What other suggestions do you have?!<br />
<br />
Seattle is on the map in the electronic music world in large part because of Sean's insatiable work ethic, vision, and because *no one* else has stepped up to create this kind of festival in our area before him. I sincerely hope he gets the funding he needs (I do believe Decibel recently filed for non-profit status, if I'm not mistaken, which will allow him to receive additional funds from entities such as 4Culture, etc.).
        
        <br />
        
          Posted by <a href="http://www.thestranger.com/seattle/Profile?oid=1515787">loganlorelai</a>]]>
    </description>
    <pubDate>Wed, 06 May 2009 18:47:34 -0700</pubDate> 
    <source url="http://www.thestranger.com">The Stranger</source>
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    <title><![CDATA[Re: Decibel Fest's Fate Precarious]]></title>
    
    
    <link><![CDATA[http://lineout.thestranger.com/lineout/archives/2009/05/06/decibel-fests-fate-precarious/#1515075]]></link>
    
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    <author><![CDATA[djonan]]></author>
    <description>
      
      <![CDATA[get better lineups...<br>
        
        <br />
        
          Posted by <a href="http://www.thestranger.com/seattle/Profile?oid=1515074">djonan</a>]]>
    </description>
    <pubDate>Wed, 06 May 2009 17:12:00 -0700</pubDate> 
    <source url="http://www.thestranger.com">The Stranger</source>
  </item>
        
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    <title><![CDATA[Re: Decibel Fest's Fate Precarious]]></title>
    
    
    <link><![CDATA[http://lineout.thestranger.com/lineout/archives/2009/05/06/decibel-fests-fate-precarious/#1512627]]></link>
    
    <guid isPermaLink="true"><![CDATA[http://lineout.thestranger.com/lineout/archives/2009/05/06/decibel-fests-fate-precarious/#1512627]]></guid>
    <author><![CDATA[pblake123]]></author>
    <description>
      
      <![CDATA[I'm a little bit tired of these sob-stories. Previous events were put on credit cards, and he considered HELOC-ing his house??! That's just plain and simple bad financial activity, and was destined to end in failure.<br />
Once every few months on Line Out I am asked to donate to someone who's bad financial planning has landed them in the shitter.<br />
I love Decibel, and I attended more than a few of their events, and I would happily pay ticket prices to see more, but I wont bail-out amateurish financial planning.
        
        <br />
        
          Posted by <a href="http://www.thestranger.com/seattle/Profile?oid=1507476">pblake123</a>]]>
    </description>
    <pubDate>Wed, 06 May 2009 15:30:07 -0700</pubDate> 
    <source url="http://www.thestranger.com">The Stranger</source>
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